{"id":387,"date":"2023-09-24T08:52:08","date_gmt":"2023-09-24T08:52:08","guid":{"rendered":"https:\/\/simultan.org\/2023\/?page_id=387"},"modified":"2023-10-02T22:32:22","modified_gmt":"2023-10-02T22:32:22","slug":"video","status":"publish","type":"page","link":"https:\/\/simultan.org\/2023\/video\/","title":{"rendered":"VIDEO"},"content":{"rendered":"\n

LISTA LUCR\u0102RILOR VIDEO INCLUSE \u00ceN PROGRAMUL SIMULTAN FESTIVAL 2023 <\/strong><\/p>\n\n\n\n

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Still video – Ghost Cities, 2023 de Sandralub <\/figcaption><\/figure>\n\n\n\n

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Katharina Aae (Germany), Terrifying Holes Compilation<\/em><\/strong> (04:54) 2021       <\/p>\n\n\n\n

Cedric Arnold (UK), Apopheniac <\/em><\/strong>(04:46) 2022         <\/p>\n\n\n\n

Sara Bonaventura (Italy), Iconoplast<\/em><\/strong> (08:01) 2021         <\/p>\n\n\n\n

Sarah Buckius (USA), !!! techn010ffspring !!!<\/em> [v1_v9]<\/strong> (02:53) 2023      <\/p>\n\n\n\n

Nathalie Bujold (Canada), M\u00e9tronomie<\/em><\/strong> (00:58) 2022         <\/p>\n\n\n\n

David Camargo & Amauta Garcia (Mexico), Arrullo<\/strong> <\/em>(10:15) 2022      <\/p>\n\n\n\n

Nicola Cappelletti, Romina Bracchi (Italy), Lo Scoppio<\/em><\/strong> (04:40) 2023      <\/p>\n\n\n\n

Osvaldo Cibils + AI (Uruguay), non-professional inhabitants – red beak<\/em><\/strong> (04:33) 2023   <\/p>\n\n\n\n

Dalpofzs, Mihai Bacaran, Darie Nemes-Bota, Bogdan Dumitrescu, Alexandra Coroi (Romania), Dynamics of Sensemaking<\/em><\/strong> (08:25) 2023      <\/p>\n\n\n\n

Silvia De Gennaro (Italy), Gaia: Uni(co)verso \/ Gaia:Uni(que)verse <\/strong><\/em>(03:35) 2023<\/p>\n\n\n\n

Carlos Ramirez De La Concepcion (Spain), Tan Vivo, Tan Muerto, Tan Fragil, Tan Fuerte <\/em><\/strong>(03:21) 2022  <\/p>\n\n\n\n

Sandrine Deumier (France), From the Place where the Light Goes Out<\/em><\/strong> (05:45) 2023  <\/p>\n\n\n\n

Jerobeam Fenderson (Germany) &  hansi3d (Austria), Function <\/em><\/strong>(07:26) 2023      <\/p>\n\n\n\n

Francesca Fini (Italy), A Dream in Stone <\/em><\/strong>(14:46) 2022      <\/p>\n\n\n\n

Thorsten Fleisch (Germany), Astrogolem<\/em> <\/strong>(06:15, 2023         <\/p>\n\n\n\n

Synn\u00f8ve Sizou G Wetten (Norway), Is This Now? XXYX <\/em><\/strong>(05:23) 2021      <\/p>\n\n\n\n

Adrian Ganea (Romania), Dance of the Butterflies<\/em> <\/strong>(12:56) 2022      <\/p>\n\n\n\n

Amauta Garcia (Mexico), Nana Itsi<\/em> <\/strong>(06:58) 2021        <\/p>\n\n\n\n

Massimiliano Gusmini (Italy), Stroboblackboard<\/em> <\/strong>(03:30) 2023         <\/p>\n\n\n\n

Henna-Riikka Halonen (Finland), Tissue<\/em> <\/strong>(10:38) 2022         <\/p>\n\n\n\n

Phil Hastings (U.S.A.), With Love and Sincerity<\/strong> <\/em>(02:35) 2023      <\/p>\n\n\n\n

Ivelina Ivanova & Petar Parmakov & Yoana Robova (Bulgaria), Agressive Schtreiss\/\/Sims 5 idm<\/em><\/strong> (03:33) 2020)<\/p>\n\n\n\n

Krzysztof Krzysztof (Poland), Red Wonderland<\/em><\/strong> (06:19) 2019        <\/p>\n\n\n\n

Federico Lamas (Argentina), Fen\u00f3meno<\/em><\/strong> (04:08) 2022         <\/p>\n\n\n\n

Till Langschied (Switzerland), Trans-Tech Ascensions<\/em><\/strong> (06:25) 2020        <\/p>\n\n\n\n

Sohyun Lee (Republic of Korea), Gaba Heaven<\/em><\/strong> (08:25) 2023      <\/p>\n\n\n\n

Teresa Leung (Hong Kong), Mortal Me conversing with Erasable Me<\/em><\/strong> (07:48) 2022   <\/p>\n\n\n\n

Filip Markovinovi\u0107 (Serbia), Pra\u0161ina \/ Dust<\/em> <\/strong>(09:19) 2022       <\/p>\n\n\n\n

Fernando Moletta (Brazil), Multi-Tude<\/em><\/strong> (08:15) 2022         <\/p>\n\n\n\n

Jonathan Monaghan (USA), Move the Way You Want<\/em><\/strong> (08:11) 2023     <\/p>\n\n\n\n

Roberto Musanti (Italy), Fallaci Imagine II<\/strong><\/em> (03:35) 2022       <\/p>\n\n\n\n

Viktor N\u00e9meth (Hungary), If You Liked That…<\/em><\/strong> (10:43) 2023      <\/p>\n\n\n\n

Ethann N\u00e9on (Belgium), 1 MTH\/MIN<\/em> <\/strong>(03:45) 2021        <\/p>\n\n\n\n

Luis Carlos Rodriguez (Spain) & J.l.H. Berthelot (France), AbstrARt27 <\/em><\/strong>(06:41) 2023     <\/p>\n\n\n\n

C\u0103t\u0103lin Rugin\u0103, Maria-Luiza Dimulescu, Denisa Anastasiu (Romania), Call of Pink <\/em><\/strong>(06:29) 2021   <\/p>\n\n\n\n

S4RA (Portugal), RAVE<\/em><\/strong> (09:20) 2023\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0<\/p>\n\n\n\n

Katherina Sadovsky (Russia), Rage <\/em><\/strong>(12:36) 2023         <\/p>\n\n\n\n

Angel Salazar (Ecuador), Visions of Fungicene<\/em><\/strong> (05:48) 2022       <\/p>\n\n\n\n

Sandralub (multiple geo-locations), Ghost Cities <\/strong><\/em>(08:23) 2023       <\/p>\n\n\n\n

Dagmar Sch\u00fcrrer (Austria), Dreaming is the Mind Left to Itself <\/em><\/strong>(05:23) 2022   <\/p>\n\n\n\n

Adam S\u00e9bire (Norway), AnthropoScene IX: Mammoth<\/strong><\/em> (05:55) 2023       <\/p>\n\n\n\n

Kent Tate (Canada), ARK <\/em><\/strong>(04:04) 2023         <\/p>\n\n\n\n

taietzel ticalos (Romania), viva voce<\/em><\/strong> (07:51) 2022        <\/p>\n\n\n\n

Patrick Topitschnig (Austria), Vienna Standin\u2019 – 17 Early Mornings<\/strong><\/em> (05:30) 2023    <\/p>\n\n\n\n

Julie Tremble & Philippe Hamelin (Canada), La Fontaine et la chute IV <\/em>(Origins) <\/strong>(04:50) 2022<\/p>\n\n\n\n

Ioana \u021aurcan (Romania) & Gergana Ivanova [Bulgaria], Anemone<\/em><\/strong> (06:00) 2023     <\/p>\n\n\n\n

Mariya Vasilyeva (Ukraine), The Last Supper <\/strong><\/em>(03:55) 2022       <\/p>\n\n\n\n

Jingyi Wang (China), Good Old Days Part.1<\/em><\/strong> (05:11) 2023      <\/p>\n\n\n\n

Peter Whittenberger (USA), If Only We Had Eyes To See<\/strong><\/em> (03:34) 2023  <\/p>\n\n\n\n


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LISTA LUCR\u0102RILOR VIDEO INCLUSE \u00ceN PROGRAMUL SIMULTAN FESTIVAL 2023 Katharina Aae (Germany), Terrifying Holes Compilation (04:54) 2021        Cedric Arnold (UK), Apopheniac (04:46) 2022          Sara Bonaventura (Italy), Iconoplast (08:01) 2021          Sarah Buckius (USA), !!! techn010ffspring !!! [v1_v9] (02:53) 2023       Nathalie Bujold (Canada), M\u00e9tronomie (00:58) 2022          David Camargo & Amauta Garcia (Mexico), Arrullo (10:15) 2022       Nicola Cappelletti, […]<\/p>\n","protected":false},"author":2,"featured_media":381,"parent":0,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":{"_acf_changed":false,"footnotes":""},"class_list":["post-387","page","type-page","status-publish","has-post-thumbnail","hentry"],"acf":[],"_links":{"self":[{"href":"https:\/\/simultan.org\/2023\/wp-json\/wp\/v2\/pages\/387","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/simultan.org\/2023\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/simultan.org\/2023\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/simultan.org\/2023\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/simultan.org\/2023\/wp-json\/wp\/v2\/comments?post=387"}],"version-history":[{"count":8,"href":"https:\/\/simultan.org\/2023\/wp-json\/wp\/v2\/pages\/387\/revisions"}],"predecessor-version":[{"id":746,"href":"https:\/\/simultan.org\/2023\/wp-json\/wp\/v2\/pages\/387\/revisions\/746"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/simultan.org\/2023\/wp-json\/wp\/v2\/media\/381"}],"wp:attachment":[{"href":"https:\/\/simultan.org\/2023\/wp-json\/wp\/v2\/media?parent=387"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}