{"id":124,"date":"2023-09-21T16:36:00","date_gmt":"2023-09-21T16:36:00","guid":{"rendered":"https:\/\/simultan.org\/2023\/?p=124"},"modified":"2023-10-01T19:02:18","modified_gmt":"2023-10-01T19:02:18","slug":"simon-whetham","status":"publish","type":"post","link":"https:\/\/simultan.org\/2023\/simon-whetham\/","title":{"rendered":"Simon Whetham"},"content":{"rendered":"\n<p>Successive Actions<\/p>\n\n\n\n<p>\u2014 AV performance<\/p>\n\n\n\n<p>5 OCT 2023, 20:00 &#8211; Corneliu Miklosi Museum<\/p>\n\n\n\n<hr class=\"wp-block-separator has-alpha-channel-opacity\"\/>\n\n\n\n<figure class=\"wp-block-image size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"1024\" height=\"689\" src=\"https:\/\/simultan.org\/2023\/wp-content\/uploads\/2023\/09\/simon-whetham-1024x689.jpg\" alt=\"\" class=\"wp-image-125\" srcset=\"https:\/\/simultan.org\/2023\/wp-content\/uploads\/2023\/09\/simon-whetham-1024x689.jpg 1024w, https:\/\/simultan.org\/2023\/wp-content\/uploads\/2023\/09\/simon-whetham-300x202.jpg 300w, https:\/\/simultan.org\/2023\/wp-content\/uploads\/2023\/09\/simon-whetham-768x517.jpg 768w, https:\/\/simultan.org\/2023\/wp-content\/uploads\/2023\/09\/simon-whetham-1536x1033.jpg 1536w, https:\/\/simultan.org\/2023\/wp-content\/uploads\/2023\/09\/simon-whetham.jpg 1744w\" sizes=\"auto, (max-width: 1024px) 100vw, 1024px\" \/><figcaption class=\"wp-element-caption\">Credit photo: prin amabilitatea artistului<\/figcaption><\/figure>\n\n\n\n<p>Din 2005 <strong>Simon Whetham<\/strong> a dezvoltat o practic\u0103 de lucru cu activitatea sonor\u0103 ca materie prim\u0103 pentru crea\u021bie. Folose\u0219te sunetul ambiental \u0219i o varietate de metode \u0219i tehnici pentru a ob\u021bine fenomene sonore adesea neobservate \u0219i obscure. Atunci c\u00e2nd prezint\u0103 o lucrare \u00eentr-un spectacol sau o instala\u021bie, spa\u021biul \u0219i obiectele \u00eei devin instrumente.<\/p>\n\n\n\n<p>Investiga\u021biile sale artistice l-au determinat s\u0103 lucreze din ce \u00een ce mai mult \u00een proiecte multidisciplinare. \u00cen prezent, exploreaz\u0103 modalit\u0103\u021bi de a p\u0103stra urmele fizice ale sunetului \u0219i de a transforma formele de energie.<\/p>\n\n\n\n<p>Whetham concerteaz\u0103 \u0219i expune la nivel interna\u021bional, particip\u00e2nd la Fresh Winds Biennale 2018 &amp; 2016 (IS), Nakanojo Biennale 2017 (JP), ACC Showcase 2018 (KR), Tsonami Festival 2017 &amp; 2012 (CL), Madeiradig 2010 &amp; 2011 (PT) \u0219i Moers Festivalul 2011 (DE); are un num\u0103r mare de lucr\u0103ri publicate prin multe case de discuri specializate, inclusiv Mappa (SK), Cr\u00f3nica (PT) \u0219i Line (SUA) \u0219i colaboreaz\u0103 cu dansatori, muzicieni, interpre\u021bi, pictori \u0219i arti\u0219ti video.<\/p>\n\n\n\n<p>Whetham a primit de dou\u0103 ori Grantul pentru Arte de la Arts Council England, primul pentru a participa la Mamori Sound Project \u00een p\u0103durea tropical\u0103 amazonian\u0103 din Brazilia, 2007, iar al doilea pentru a curatoria \u0219i a organiza proiectului de schimb cultural \u201eActive Crossover\u201d, care continu\u0103 s\u0103 se desf\u0103\u0219oare din 2009.<\/p>\n\n\n\n<p>Cea mai recent\u0103 versiune a \u201eActive Crossover\u201d a fost g\u0103zduit\u0103 de MoKS \u00een Mooste, Estonia \u00een 2015, sus\u021binut\u0103 de Artists International Development Grant de la British Council \u0219i Arts Council England. Timp de dou\u0103 luni, lui Simon i s-au al\u0103turat 14 arti\u0219ti interna\u021bionali \u00een investiga\u021bii sonore, discu\u021bii \u0219i crearea de noi rela\u021bii de lucru. \u201eActiver Crossover\u201d a fost, de asemenea, sus\u021binut de Funda\u021bia PRS pentru Muzic\u0103 pentru a face un turneu \u00een Marea Britanie p\u00e2n\u0103 \u00een 2011 \u0219i a fost g\u0103zduit \u00een Argentina, Chile, Columbia, Germania, Norvegia \u0219i Australia.<\/p>\n\n\n\n<p>Practica lui Simon acoper\u0103, de asemenea, organizarea de ateliere de ascultare activ\u0103 \u0219i de \u00eenregistrare pe teren la nivel interna\u021bional (cel mai recent \u00een Coreea de Sud, Marea Britanie \u0219i Taiwan). Acestea includ ateliere pentru copii \u0219i tineri, care au \u00eenceput \u00een Medell\u00edn, Columbia \u00een 2013, \u0219i au condus la proiecte mai mari \u00een Norvegia \u0219i Australia \u0219i cu minori ne\u00eenso\u021bi\u021bi \u00eentr-o tab\u0103r\u0103 de refugia\u021bi din M\u00fcnchen, Germania, \u00een 2014.<\/p>\n\n\n\n<p><a href=\"https:\/\/www.simonwhetham.co.uk\/channellingav\">WEBSITE<\/a><\/p>\n\n\n\n<hr class=\"wp-block-separator has-alpha-channel-opacity\"\/>\n\n\n\n<figure class=\"wp-block-embed is-type-video is-provider-youtube wp-block-embed-youtube wp-embed-aspect-16-9 wp-has-aspect-ratio\"><div class=\"wp-block-embed__wrapper\">\n<iframe loading=\"lazy\" title=\"Simon Whetham - Tresor Linz - Oct 03 2022 - canceled but not canceled\" width=\"500\" height=\"281\" src=\"https:\/\/www.youtube.com\/embed\/AoiXxvryXrY?start=1113&#038;feature=oembed\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" referrerpolicy=\"strict-origin-when-cross-origin\" allowfullscreen><\/iframe>\n<\/div><\/figure>\n","protected":false},"excerpt":{"rendered":"<p>Successive Actions \u2014 AV performance 5 OCT 2023, 20:00 &#8211; Corneliu Miklosi Museum Din 2005 Simon Whetham a dezvoltat o practic\u0103 de lucru cu activitatea sonor\u0103 ca materie prim\u0103 pentru crea\u021bie. Folose\u0219te sunetul ambiental \u0219i o varietate de metode \u0219i tehnici pentru a ob\u021bine fenomene sonore adesea neobservate \u0219i obscure. Atunci c\u00e2nd prezint\u0103 o lucrare [&hellip;]<\/p>\n","protected":false},"author":4,"featured_media":125,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_acf_changed":false,"footnotes":""},"categories":[12,11],"tags":[],"class_list":["post-124","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-live-acts","category-live-acts-ro"],"acf":[],"_links":{"self":[{"href":"https:\/\/simultan.org\/2023\/wp-json\/wp\/v2\/posts\/124","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/simultan.org\/2023\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/simultan.org\/2023\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/simultan.org\/2023\/wp-json\/wp\/v2\/users\/4"}],"replies":[{"embeddable":true,"href":"https:\/\/simultan.org\/2023\/wp-json\/wp\/v2\/comments?post=124"}],"version-history":[{"count":7,"href":"https:\/\/simultan.org\/2023\/wp-json\/wp\/v2\/posts\/124\/revisions"}],"predecessor-version":[{"id":676,"href":"https:\/\/simultan.org\/2023\/wp-json\/wp\/v2\/posts\/124\/revisions\/676"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/simultan.org\/2023\/wp-json\/wp\/v2\/media\/125"}],"wp:attachment":[{"href":"https:\/\/simultan.org\/2023\/wp-json\/wp\/v2\/media?parent=124"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/simultan.org\/2023\/wp-json\/wp\/v2\/categories?post=124"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/simultan.org\/2023\/wp-json\/wp\/v2\/tags?post=124"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}