{"id":203,"date":"2023-09-22T14:29:03","date_gmt":"2023-09-22T14:29:03","guid":{"rendered":"https:\/\/simultan.org\/2023\/?p=203"},"modified":"2023-09-24T22:29:12","modified_gmt":"2023-09-24T22:29:12","slug":"hak-danzeisen","status":"publish","type":"post","link":"https:\/\/simultan.org\/2023\/hak-danzeisen\/","title":{"rendered":"h\u00c4K \/ Danzeisen"},"content":{"rendered":"\n<p class=\"has-medium-font-size\">\u2014 Live performance<\/p>\n\n\n\n<p>8 OCT 2023, 22:00 &#8211; Muzeul Corneliu Miklosi<\/p>\n\n\n\n<hr class=\"wp-block-separator has-alpha-channel-opacity\"\/>\n\n\n\n<figure class=\"wp-block-image size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"1024\" height=\"730\" src=\"https:\/\/simultan.org\/2023\/wp-content\/uploads\/2023\/09\/hAK-Danzeisen-1024x730.jpg\" alt=\"\" class=\"wp-image-427\" srcset=\"https:\/\/simultan.org\/2023\/wp-content\/uploads\/2023\/09\/hAK-Danzeisen-1024x730.jpg 1024w, https:\/\/simultan.org\/2023\/wp-content\/uploads\/2023\/09\/hAK-Danzeisen-300x214.jpg 300w, https:\/\/simultan.org\/2023\/wp-content\/uploads\/2023\/09\/hAK-Danzeisen-768x548.jpg 768w, https:\/\/simultan.org\/2023\/wp-content\/uploads\/2023\/09\/hAK-Danzeisen.jpg 1200w\" sizes=\"auto, (max-width: 1024px) 100vw, 1024px\" \/><figcaption class=\"wp-element-caption\"><em>Photo credit: Udo Siegfriedt<\/em><\/figcaption><\/figure>\n\n\n\n<p>Ne putem imagina <strong>h\u00c4K \/ Danzeisen<\/strong> ca un aparat om-ma\u0219in\u0103. O colec\u021bie de cabluri, corpuri rezonante \u0219i membre nelini\u0219tite care pun la \u00eendoial\u0103 toate rutinele. Care r\u0103stoarn\u0103 rolul conven\u021bional al instrumentelor \u0219i exploreaz\u0103 posibilit\u0103\u021bile unui nou limbaj sonor.<\/p>\n\n\n\n<p>Bernd Norbert W\u00fcrtz alias h\u00c4K opereaz\u0103 sintetizatoare modulare, circuite autosudate \u0219i butoane de control. <br>Philipp Danzeisen c\u00e2nt\u0103 la un set de tobe \u00eembun\u0103t\u0103\u021bit cu triggere \u0219i senzori. Ace\u0219ti doi poli sunt lega\u021bi de un tot interdependent \u00een care are loc un dialog muzical constant. B\u0103t\u0103ile de tobe \u0219i modula\u021biile sunetului sunt interconectate \u00een a\u0219a fel \u00eenc\u00e2t s\u0103 nu existe contradic\u021bie \u00eentre structura tehnologic\u0103 strict\u0103 \u0219i izbucnirea creativ\u0103 posibil\u0103 \u00een orice moment.<\/p>\n\n\n\n<p>Oscil\u00e2nd constant \u00eentre registrele \u201ecompus\u201d \u0219i \u201eimprovizat\u201d, fiecare performan\u021b\u0103 a h\u00c4K \/ Danzeisen devine \u00een cele din urm\u0103 unic\u0103.<br>\u00cenainte de a forma duo-ul \u00een 2019, ambii muzicieni erau activi independent \u00een diferite genuri \u0219i contexte.<\/p>\n\n\n\n<hr class=\"wp-block-separator has-alpha-channel-opacity\"\/>\n\n\n\n<p><br><strong>Philipp Danzeisen<\/strong> a studiat percu\u021bia jazz la New School University din New York \u0219i design sonor la Departamentul de Teatru \u0219i Dans al Universit\u0103\u021bii din California din San Diego. A performat \u00een numeroase proiecte muzicale cu Jarry Singla, Jan Gerdes, Matt Otto, Joe Fonda \u0219i al\u021bii \u0219i lucreaz\u0103 \u00een mod regulat la intersec\u021bia muzicii, dansului \u0219i teatrului cu regizori precum Einar Schleef \u0219i Jan Fabre, precum \u0219i cu coregrafii William Forsythe, Meg Stuart \u0219i Rabih Mrou\u00e9.<\/p>\n\n\n\n<p><strong>Bernd Norbert W\u00fcrtz<\/strong> a fost compozitor \u0219i designer de sunet pentru institu\u021bii precum La Ga\u00eet\u00e9 Lyrique din Paris \u0219i Royal Opera House din Londra. Produce muzic\u0103 pentru film, precum \u0219i pentru campanii interna\u021bionale de publicitate \u0219i a compus coloane sonore pentru Alexander Herzog, Peter D\u00f6rfler, Dante Ariola \u0219i Luc Besson. Din 2008 p\u00e2n\u0103 \u00een 2018, W\u00fcrtz a tr\u0103it \u0219i a lucrat la Paris, unde a fost din ce \u00een ce mai implicat \u00een muzica experimental\u0103 \u0219i a lansat piese sub pseudonimul h\u00c4K la casele de discuri underground precum KommaNull \u0219i Exhibitronic. De asemenea, a co-gazduit \u201eEpsilonia\u201d, emisiunea de muzic\u0103 experimental\u0103 de la Radio Libertaire din Paris. (Text adaptat dup\u0103 Arno Raffeiner)<\/p>\n\n\n\n<p><a href=\"https:\/\/www.hak-danzeisen.com\/\">WEBSITE<\/a><\/p>\n\n\n\n<p><\/p>\n\n\n\n<hr class=\"wp-block-separator has-alpha-channel-opacity\"\/>\n\n\n\n<figure class=\"wp-block-embed is-type-video is-provider-youtube wp-block-embed-youtube wp-embed-aspect-16-9 wp-has-aspect-ratio\"><div class=\"wp-block-embed__wrapper\">\n<iframe loading=\"lazy\" title=\"h\u00c4K \/ Danzeisen - live @ A L&#039;Arme! Festival \/ silent green | LIVE IN BERLIN\" width=\"500\" height=\"281\" src=\"https:\/\/www.youtube.com\/embed\/OFibtjem8MI?start=663&#038;feature=oembed\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" referrerpolicy=\"strict-origin-when-cross-origin\" allowfullscreen><\/iframe>\n<\/div><\/figure>\n","protected":false},"excerpt":{"rendered":"<p>\u2014 Live performance 8 OCT 2023, 22:00 &#8211; Muzeul Corneliu Miklosi Ne putem imagina h\u00c4K \/ Danzeisen ca un aparat om-ma\u0219in\u0103. O colec\u021bie de cabluri, corpuri rezonante \u0219i membre nelini\u0219tite care pun la \u00eendoial\u0103 toate rutinele. Care r\u0103stoarn\u0103 rolul conven\u021bional al instrumentelor \u0219i exploreaz\u0103 posibilit\u0103\u021bile unui nou limbaj sonor. Bernd Norbert W\u00fcrtz alias h\u00c4K opereaz\u0103 [&hellip;]<\/p>\n","protected":false},"author":4,"featured_media":427,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_acf_changed":false,"footnotes":""},"categories":[11,12],"tags":[],"class_list":["post-203","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-live-acts-ro","category-live-acts"],"acf":[],"_links":{"self":[{"href":"https:\/\/simultan.org\/2023\/wp-json\/wp\/v2\/posts\/203","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/simultan.org\/2023\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/simultan.org\/2023\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/simultan.org\/2023\/wp-json\/wp\/v2\/users\/4"}],"replies":[{"embeddable":true,"href":"https:\/\/simultan.org\/2023\/wp-json\/wp\/v2\/comments?post=203"}],"version-history":[{"count":6,"href":"https:\/\/simultan.org\/2023\/wp-json\/wp\/v2\/posts\/203\/revisions"}],"predecessor-version":[{"id":429,"href":"https:\/\/simultan.org\/2023\/wp-json\/wp\/v2\/posts\/203\/revisions\/429"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/simultan.org\/2023\/wp-json\/wp\/v2\/media\/427"}],"wp:attachment":[{"href":"https:\/\/simultan.org\/2023\/wp-json\/wp\/v2\/media?parent=203"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/simultan.org\/2023\/wp-json\/wp\/v2\/categories?post=203"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/simultan.org\/2023\/wp-json\/wp\/v2\/tags?post=203"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}