{"id":416,"date":"2023-09-24T11:44:30","date_gmt":"2023-09-24T11:44:30","guid":{"rendered":"https:\/\/simultan.org\/2023\/?p=416"},"modified":"2023-10-01T19:50:50","modified_gmt":"2023-10-01T19:50:50","slug":"amnezie-minerala-de-ioana-vreme-moser","status":"publish","type":"post","link":"https:\/\/simultan.org\/2023\/amnezie-minerala-de-ioana-vreme-moser\/","title":{"rendered":"Amnezie mineral\u0103"},"content":{"rendered":"\n

de IOANA VREME MOSER<\/strong>
\u2014 instala\u021bie sonor\u0103, 2023<\/p>\n\n\n\n

5 – 8 OCT – Muzeul Corneliu Miklosi
Program vizitare:
Oct. 5, 2023, 6 PM – 11 PM
Oct. 6-8, 3 PM – 11 PM<\/p>\n\n\n\n

\n\n\n\n
\"\"
Mineral Amnesia, detailu \u2013 foto Andreea S\u0103s\u0103ran<\/em><\/figcaption><\/figure>\n\n\n\n

<\/p>\n\n\n\n

Mineral Amnesia exploreaz\u0103 \u00een sunet evolu\u021bia \u0219i dec\u0103derea primei memorii de siliciu programabile ce poate fi \u0219tears\u0103. \u00cencapsulate sub ferestre de cuar\u021b, realizate din cristal pur, EPROMS, acum microcipuri demodate, pierd informa\u021bii odat\u0103 expuse la lumin\u0103. Instala\u021bia salveaz\u0103 EPROM-urile din diferite genera\u021bii \u0219i le red\u0103 sub lumin\u0103 UV discret\u0103 p\u00e2n\u0103 c\u00e2nd sunetele lor sunt erodate \u0219i dispar.<\/p>\n\n\n\n

Proiectul traverseaz\u0103 Epoca Digital\u0103 \u00centunecat\u0103 \u0219i umbrele sale prin perspectiva unui dispozitiv \u00eenvechit. \u00cen 1971, cercet\u0103torii de la Intel au inventat memoria Erasable Programmable Read Only, adiacent\u0103 primului microprocesor. Odat\u0103 cu afluxul lor sub tehno-capitalism, puterea de calcul s-a dublat la fiecare doi ani \u0219i a accelerat \u0219i mai mult ast\u0103zi, \u00een goana dup\u0103 inteligen\u021ba artificial\u0103. Aceast\u0103 cre\u0219tere exponen\u021bial\u0103 a f\u0103cut ca informa\u021biile digitale s\u0103 fie irecuperabile, pierdute \u00een corpuri hardware vechi, cum ar fi aceste EPROMS, \u0219i aruncate pentru a forma apoi terenuri toxice de-a lungul stratului geologic al P\u0103m\u00e2ntului.<\/p>\n\n\n\n

De la capacitatea de 8k-bi\u021bi din 2708 EPROM la 1Mbit, proiectul reanima aceste cipuri din trecut \u0219i cerceteaz\u0103 evenimentele din geneza lor. Unele EPROM-uri g\u0103site, programate din anii 70, transform\u0103 informa\u021biile \u00een sunete, iar altele dezv\u0103luie pove\u0219ti vocale. Lumina devine un agent abraziv care consum\u0103 \u0219i distorsioneaz\u0103 datele \u00eencet.<\/p>\n\n\n\n

Privind la cre\u0219terea puterii de calcul \u0219i a anatomiei sale fragile, proiectul atrage aten\u021bia asupra formatelor pierdute pentru a pune la \u00eendoial\u0103 longevitatea t\u0103r\u00e2mului nostru digital. Aminte\u0219te c\u0103 toat\u0103 materia se afl\u0103 \u00eentr-un ciclu \u00een care dec\u0103derea este \u00een cele din urm\u0103 la cheremul timpului \u0219i fenomenelor naturale. Fiecare bucl\u0103 de sunet stocat\u0103 \u00een memorie este \u0219tears\u0103 progresiv pe m\u0103sur\u0103 ce lumina se strecoar\u0103 pe cristal, sp\u0103rg\u00e2nd sunetul \u00een tipare de ne\u00een\u021beles. Amplasat\u0103 \u00eentr-un ansamblu de Eproms, Mineral Amnesia creeaz\u0103 o compozi\u021bie sonor\u0103 care se erodeaz\u0103 p\u00e2n\u0103 la t\u0103cere.<\/p>\n\n\n\n

<\/p>\n\n\n\n

comisionat de: Simultan.org
Asisten\u021b\u0103 tehnic\u0103: Dorian Largen Schleich
Lucr\u0103ri \u00een lemn: Zumzet Acoustics, Alin Rotariu
Asisten\u021b\u0103 \u00een executare: Levente Kozma, Gloria Vreme Moser, Theo Vreme Moser<\/p>\n\n\n\n

\n\n\n\n

<\/p>\n\n\n\n

Ioana Vreme Moser<\/strong> este o artist\u0103 care lucreaz\u0103 cu electronic\u0103 hardware, cercetare speculativ\u0103 \u0219i experimente tactile.
\u00cen practica sa, folose\u0219te procese electronice brute pentru a ob\u021bine diferite texturi ale sunetului. Artista plaseaz\u0103 componente electronice \u0219i semnale de control \u00een diferite situa\u021bii de interac\u021biune cu propriul corp, materiale organice, obiecte pierdute \u0219i g\u0103site, precum \u0219i stimuli din mediul \u00eenconjur\u0103tor. Din aceste coliziuni, apar sunete sintetizate care poart\u0103 nara\u021biuni \u0219i observa\u021bii personale despre istoria electronicii, lan\u021burile de produc\u021bie ale acesteia, terenurile virane \u0219i \u00eencurc\u0103turile din lumea natural\u0103.<\/p>\n\n\n\n

A sus\u021binut spectacole \u0219i a expus la Galeria Na\u021bional\u0103 din Danemarca (DK), Fonderie Darling (CA), Academia de Arte Berlin (DE); Manifesta 14 (XK); SFX \u2013 Sound Effects Seoul (KR), Ars Electronica (AT), Galeria Bunkier Sztuki Krakow (PL); Festivalul Simultan (RO); Eigen+Art Lab \u2013 Transmediale, Berlin (DE).<\/p>\n\n\n\n

WEBSITE<\/a><\/p>\n\n\n\n

\n","protected":false},"excerpt":{"rendered":"

de IOANA VREME MOSER\u2014 instala\u021bie sonor\u0103, 2023 5 – 8 OCT – Muzeul Corneliu MiklosiProgram vizitare:Oct. 5, 2023, 6 PM – 11 PMOct. 6-8, 3 PM – 11 PM Mineral Amnesia exploreaz\u0103 \u00een sunet evolu\u021bia \u0219i dec\u0103derea primei memorii de siliciu programabile ce poate fi \u0219tears\u0103. \u00cencapsulate sub ferestre de cuar\u021b, realizate din cristal pur, EPROMS, […]<\/p>\n","protected":false},"author":2,"featured_media":403,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_acf_changed":false,"footnotes":""},"categories":[16,14],"tags":[],"class_list":["post-416","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-instalatii","category-installations"],"acf":[],"_links":{"self":[{"href":"https:\/\/simultan.org\/2023\/wp-json\/wp\/v2\/posts\/416","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/simultan.org\/2023\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/simultan.org\/2023\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/simultan.org\/2023\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/simultan.org\/2023\/wp-json\/wp\/v2\/comments?post=416"}],"version-history":[{"count":7,"href":"https:\/\/simultan.org\/2023\/wp-json\/wp\/v2\/posts\/416\/revisions"}],"predecessor-version":[{"id":678,"href":"https:\/\/simultan.org\/2023\/wp-json\/wp\/v2\/posts\/416\/revisions\/678"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/simultan.org\/2023\/wp-json\/wp\/v2\/media\/403"}],"wp:attachment":[{"href":"https:\/\/simultan.org\/2023\/wp-json\/wp\/v2\/media?parent=416"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/simultan.org\/2023\/wp-json\/wp\/v2\/categories?post=416"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/simultan.org\/2023\/wp-json\/wp\/v2\/tags?post=416"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}