{"id":49,"date":"2023-09-21T15:22:17","date_gmt":"2023-09-21T15:22:17","guid":{"rendered":"https:\/\/simultan.org\/2023\/?p=49"},"modified":"2023-10-01T16:51:53","modified_gmt":"2023-10-01T16:51:53","slug":"ioana-vreme-moser","status":"publish","type":"post","link":"https:\/\/simultan.org\/2023\/ioana-vreme-moser\/","title":{"rendered":"Ioana Vreme Moser"},"content":{"rendered":"\n<p>\b<strong>Screaming minerals<\/strong><br>\u2014 Conferin\u021b\u0103 performativ\u0103 (cu implicarea participan\u021bilor de la atelierul <a rel=\"noreferrer noopener\" href=\"https:\/\/www.facebook.com\/events\/1327245541331515?ref=newsfeed\" target=\"_blank\">Sizzling Semiconductors<\/a>)<\/p>\n\n\n\n<p>5 OCT 2023, 20:00 &#8211; Muzeul Corneliu Miklosi<\/p>\n\n\n\n<hr class=\"wp-block-separator has-alpha-channel-opacity\"\/>\n\n\n\n<figure class=\"wp-block-image size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"1024\" height=\"646\" src=\"https:\/\/simultan.org\/2023\/wp-content\/uploads\/2023\/09\/9-sep-claudiu-screaming-minerals-spectacol-14-1024x646.jpg\" alt=\"\" class=\"wp-image-298\" srcset=\"https:\/\/simultan.org\/2023\/wp-content\/uploads\/2023\/09\/9-sep-claudiu-screaming-minerals-spectacol-14-1024x646.jpg 1024w, https:\/\/simultan.org\/2023\/wp-content\/uploads\/2023\/09\/9-sep-claudiu-screaming-minerals-spectacol-14-300x189.jpg 300w, https:\/\/simultan.org\/2023\/wp-content\/uploads\/2023\/09\/9-sep-claudiu-screaming-minerals-spectacol-14-768x485.jpg 768w, https:\/\/simultan.org\/2023\/wp-content\/uploads\/2023\/09\/9-sep-claudiu-screaming-minerals-spectacol-14-1536x970.jpg 1536w, https:\/\/simultan.org\/2023\/wp-content\/uploads\/2023\/09\/9-sep-claudiu-screaming-minerals-spectacol-14.jpg 1852w\" sizes=\"auto, (max-width: 1024px) 100vw, 1024px\" \/><figcaption class=\"wp-element-caption\"><em>Credit photo: Claudiu Popescu, Bucharest International Dance Film Festival<\/em><\/figcaption><\/figure>\n\n\n\n<p>Extrase din p\u0103m\u00e2nt, manipulate prin procese industriale, componente electronice precum semiconductorii revin \u00een straturile geologice ale P\u0103m\u00e2ntului, transform\u00e2ndu-se \u00een \u021binuturi pustii extinse.<br>Extinz\u00e2nd workshop-ul <em>Sizzling Semiconductors<\/em> sus\u021binut \u00een cadrul festivalului, <em>Screaming Minerals<\/em> pune \u00een scen\u0103 o orchestr\u0103 de instrumente sonore, care func\u021bioneaz\u0103 pe baza unor tranzistori construi\u021bi din de\u0219euri. Zgomote \u0219i tonuri noi apar \u00een momentul \u00een care pietrele radiosensitive \u0219i buc\u0103\u021bile de metal sunt zg\u00e2riate cu ace. Sunetul fluctueaz\u0103 atunci c\u00e2nd un punct ars este atins cu precizie, cre\u00e2nd astfel peisaje sonore extrem de imprevizibile<\/p>\n\n\n\n<p><em>Screaming Minerals<\/em> ne ghideaz\u0103 printr-o conferin\u021b\u0103 performativ\u0103 inovativ\u0103, urm\u0103rind ascensiunea tehnologiilor informa\u021bionale \u0219i declinul lor ecologic. Con\u0219tientiz\u00e2nd dezvoltarea exponen\u021bial\u0103 a algoritmilor, Ioana Vreme Moser se concentreaz\u0103 pe corpurile tranzistorilor, explor\u00e2ndu-le materialitatea, politicile interconectate, fragilitatea \u0219i toxicitatea.<\/p>\n\n\n\n<p>* Conferin\u021b\u0103 sus\u021binut\u0103 al\u0103turi de participan\u021bii workshop-ului <em><strong>Sizzling Semiconductors<\/strong><\/em>: Tudor Alin, David Andrei Vlad Ardelean, Iulia Bolbotin\u0103, Delia Costea, Andrei Ene, Alexandra G\u00eerbea, Emilia Mihu\u021b, Ioana Fabiola Pascu \u0219i Elvisey Pisic\u0103.<br><br><\/p>\n\n\n\n<hr class=\"wp-block-separator has-alpha-channel-opacity\"\/>\n\n\n\n<p><strong>Ioana Vreme Moser<\/strong> este o artist\u0103 care lucreaz\u0103 cu electronic\u0103 hardware, cercetare speculativ\u0103 \u0219i experimente tactile.<br>\u00cen practica sa, folose\u0219te procese electronice brute pentru a ob\u021bine diferite texturi ale sunetului. Artista plaseaz\u0103 componente electronice \u0219i semnale de control \u00een diferite situa\u021bii de interac\u021biune cu propriul corp, materiale organice, obiecte pierdute \u0219i g\u0103site, precum \u0219i stimuli din mediul \u00eenconjur\u0103tor. Din aceste coliziuni, apar sunete sintetizate care poart\u0103 nara\u021biuni \u0219i observa\u021bii personale despre istoria electronicii, lan\u021burile de produc\u021bie ale acesteia, terenurile virane \u0219i \u00eencurc\u0103turile din lumea natural\u0103.<\/p>\n\n\n\n<p>A sus\u021binut spectacole \u0219i a expus la Galeria Na\u021bional\u0103 din Danemarca (DK), Fonderie Darling (CA), Academia de Arte Berlin (DE); Manifesta 14 (XK); SFX &#8211; Sound Effects Seoul (KR), Ars Electronica (AT), Galeria Bunkier Sztuki Krakow (PL); Festivalul Simultan (RO); Eigen+Art Lab &#8211; Transmediale, Berlin (DE).<\/p>\n\n\n\n<p><a href=\"http:\/\/www.ioanavrememoser.com\">WEBSITE<\/a><br><br><\/p>\n\n\n\n<hr class=\"wp-block-separator has-alpha-channel-opacity\"\/>\n\n\n\n<figure class=\"wp-block-embed is-type-video is-provider-youtube wp-block-embed-youtube wp-embed-aspect-16-9 wp-has-aspect-ratio\"><div class=\"wp-block-embed__wrapper\">\n<iframe loading=\"lazy\" title=\"CTM 2023: Pirouette Machines. Fluid Components\" width=\"500\" height=\"281\" src=\"https:\/\/www.youtube.com\/embed\/Bl0cy34e7TE?start=32&#038;feature=oembed\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" referrerpolicy=\"strict-origin-when-cross-origin\" allowfullscreen><\/iframe>\n<\/div><\/figure>\n","protected":false},"excerpt":{"rendered":"<p>\bScreaming minerals\u2014 Conferin\u021b\u0103 performativ\u0103 (cu implicarea participan\u021bilor de la atelierul Sizzling Semiconductors) 5 OCT 2023, 20:00 &#8211; Muzeul Corneliu Miklosi Extrase din p\u0103m\u00e2nt, manipulate prin procese industriale, componente electronice precum semiconductorii revin \u00een straturile geologice ale P\u0103m\u00e2ntului, transform\u00e2ndu-se \u00een \u021binuturi pustii extinse.Extinz\u00e2nd workshop-ul Sizzling Semiconductors sus\u021binut \u00een cadrul festivalului, Screaming Minerals pune \u00een scen\u0103 o [&hellip;]<\/p>\n","protected":false},"author":4,"featured_media":298,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_acf_changed":false,"footnotes":""},"categories":[11],"tags":[],"class_list":["post-49","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-live-acts-ro"],"acf":[],"_links":{"self":[{"href":"https:\/\/simultan.org\/2023\/wp-json\/wp\/v2\/posts\/49","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/simultan.org\/2023\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/simultan.org\/2023\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/simultan.org\/2023\/wp-json\/wp\/v2\/users\/4"}],"replies":[{"embeddable":true,"href":"https:\/\/simultan.org\/2023\/wp-json\/wp\/v2\/comments?post=49"}],"version-history":[{"count":25,"href":"https:\/\/simultan.org\/2023\/wp-json\/wp\/v2\/posts\/49\/revisions"}],"predecessor-version":[{"id":674,"href":"https:\/\/simultan.org\/2023\/wp-json\/wp\/v2\/posts\/49\/revisions\/674"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/simultan.org\/2023\/wp-json\/wp\/v2\/media\/298"}],"wp:attachment":[{"href":"https:\/\/simultan.org\/2023\/wp-json\/wp\/v2\/media?parent=49"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/simultan.org\/2023\/wp-json\/wp\/v2\/categories?post=49"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/simultan.org\/2023\/wp-json\/wp\/v2\/tags?post=49"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}