{"id":573,"date":"2023-09-26T15:03:25","date_gmt":"2023-09-26T15:03:25","guid":{"rendered":"https:\/\/simultan.org\/2023\/from-bit-to-infrastructure\/"},"modified":"2023-10-10T14:44:36","modified_gmt":"2023-10-10T14:44:36","slug":"semnale-a-unei-cai-incerte","status":"publish","type":"post","link":"https:\/\/simultan.org\/2023\/semnale-a-unei-cai-incerte\/","title":{"rendered":"Semnale ale unei c\u0103i incerte"},"content":{"rendered":"\n<p><strong>by NEJA TOM\u0160I\u010c SI MIHAI TOTH<\/strong><br>\u2014 performance-in-dezvoltare, 2023<\/p>\n\n\n\n<p>7 OCT 2023, 17:00 \/ MX \u2013 Depoul STPT<\/p>\n\n\n\n<hr class=\"wp-block-separator has-alpha-channel-opacity\"\/>\n\n\n\n<figure class=\"wp-block-image size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"1024\" height=\"768\" src=\"https:\/\/simultan.org\/2023\/wp-content\/uploads\/2023\/10\/Signals-1024x768.jpg\" alt=\"\" class=\"wp-image-769\" srcset=\"https:\/\/simultan.org\/2023\/wp-content\/uploads\/2023\/10\/Signals-1024x768.jpg 1024w, https:\/\/simultan.org\/2023\/wp-content\/uploads\/2023\/10\/Signals-300x225.jpg 300w, https:\/\/simultan.org\/2023\/wp-content\/uploads\/2023\/10\/Signals-768x576.jpg 768w, https:\/\/simultan.org\/2023\/wp-content\/uploads\/2023\/10\/Signals-1536x1152.jpg 1536w, https:\/\/simultan.org\/2023\/wp-content\/uploads\/2023\/10\/Signals.jpg 1600w\" sizes=\"auto, (max-width: 1024px) 100vw, 1024px\" \/><\/figure>\n\n\n\n<p><br>\u00cen aceast\u0103 prim\u0103 itera\u021bie a unui proiect \u00een devenire, Neja Tom\u0161i\u010d \u0219i Mihai Toth colaboreaz\u0103 pentru a reflecta asupra istoriilor intersectate ale calculatoarelor \u00een Europa de Est, analiz\u00e2nd infrastructurile tangibile \u0219i intangibile care le-au sus\u021binut. Mai exact, cerceteaz\u0103 calculatorul MECIPT-1, construit \u00een 1961 la Politehnica din Timi\u0219oara. MECIPT-1 a fost unul dintre primele computere din Rom\u00e2nia, creat \u00eentr-o epoc\u0103 \u00een care au fost construite o serie de calculatoare \u00een Europa Central\u0103 \u0219i de Est, \u00eentre 1952 \u0219i 1965. Cu toate acestea, MECIPT-1 a fost singurul computer dintre ele cu un record de a face traducere automat\u0103. \u00cen 1962, la opt ani dup\u0103 demonstra\u021bia de la Georgetown din 1954, \u00een care 49 de propozi\u021bii au fost traduse din rus\u0103 \u00een englez\u0103 de c\u0103tre un IBM 701, cre\u00e2nd un val de investi\u021bii \u00een traducerea automat\u0103, MECIPT-1 a tradus o propozi\u021bie din rom\u00e2n\u0103 \u00een englez\u0103 \u201einstant\u201d. Computerul folosea carduri perforate \u0219i o ma\u0219in\u0103 de scris electronic\u0103 ca tastatura.<\/p>\n\n\n\n<p>Propozi\u021bia a fost: \u201eTu explici dezvoltarea \u0219tiin\u021bei \u0219i noi ajut\u0103m s\u0103 descriem exemplele.\u201d<\/p>\n\n\n\n<p>\u00cen acest performance, Tom\u0161i\u010d \u0219i Toth r\u0103spund la istoriile calculatoarelor timpurii analiz\u00e2nd rela\u021biile dintre corpurile umane \u0219i ma\u0219ini \u0219i pun\u00e2nd \u00een aplicare procesul laborios de operare a computerelor, pe de o parte, \u0219i munca laborioas\u0103 a ma\u0219inilor care necesitau mult\u0103 grij\u0103, spa\u021biu \u0219i adesea produceau mult praf, c\u0103ldur\u0103 \u0219i fum, pe de alt\u0103 parte. Ei evoc\u0103, de asemenea, munca mai pu\u021bin cunoscut\u0103 a femeilor, care au fost, p\u00e2n\u0103 \u00een anii 1980, inovatoare \u0219i for\u021be de top \u00een domeniul calculului. Cele mai vechi memorii programabile numai pentru citire au fost construite de femei care au \u021besut fire minuscule de cupru pe pl\u0103ci de memorie. Conform pove\u0219tilor cercet\u0103rii, programul de traducere al computerului MECIPT-1 a fost, de asemenea, scris de o femeie.<\/p>\n\n\n\n<p>Peformance-ul transpune prima realizare de traducere automat\u0103 din Blocul de Est peste peisajul \u00een prezent degradat al fostelor ateliere de tramvaie, care a\u0219teapt\u0103 noi \u00eenceputuri \u0219i este el \u00eensu\u0219i subiect al unor mari a\u0219tept\u0103ri.<\/p>\n\n\n\n<p>Performance-ul \u00een desf\u0103\u0219urare este primul dintr-o serie de explor\u0103ri \u00een domeniul istoriilor timpurii ale computerului \u0219i este realizat la ini\u021biativa festivalului Simultan \u00een colaborare cu<strong> <a rel=\"noreferrer noopener\" href=\"http:\/\/motamuseum.com\/\" target=\"_blank\">MoTA &#8211; Museum of Transitory Art<\/a><\/strong>.<\/p>\n\n\n\n<p><\/p>\n\n\n\n<hr class=\"wp-block-separator has-alpha-channel-opacity\"\/>\n\n\n\n<p><br><strong><a rel=\"noreferrer noopener\" href=\"https:\/\/ne-ja.com\/\" target=\"_blank\">Neja Tom\u0161i\u010d<\/a>,<\/strong> este artist\u0103 vizual\u0103 cu o practic\u0103 bazat\u0103 pe cercetare, povestitoare, performer \u0219i creatoare de ritualuri, care lucreaz\u0103 cu desen, obiecte \u0219i sunet. Este interesat\u0103 de procesele lungi \u0219i munca lent\u0103. Membr\u0103 a\u00a0<a rel=\"noreferrer noopener\" href=\"http:\/\/www.nonument.org\/\" target=\"_blank\">Nonument Group<\/a>.\u00a0<br><\/p>\n\n\n\n<p><strong>Mihai Toth<\/strong>, artist vizual, tr\u0103ie\u0219te \u0219i lucreaz\u0103 \u00een Timi\u0219oara. \u00cen 2013 \u0219i-a sus\u021binut lucrarea de licen\u021b\u0103 la Facultatea de Construc\u021bii de la Universitatea Politehnica Timi\u0219oara, sec\u021bia geodezie, dup\u0103 care a studiat pictur\u0103 \u00een cadrul Facult\u0103\u021bii de Arte \u0219i Design din Timi\u0219oara. Practica sa artistic\u0103 se bazeaz\u0103 pe o abordare multimedia axat\u0103 pe dezvoltarea diferitelor re\u021bele care investigheaz\u0103 unele posibilit\u0103\u021bi de leg\u0103tur\u0103 \u00eentre expresia vizual\u0103 \u0219i hermeneutica g\u00e2ndirii artistice. Rela\u021bia prezent\u0103 constant \u00een modul \u00een care proiectele sale sunt organizate, construite \u0219i realizate este cea a materialit\u0103\u021bii \u0219i a non-materialit\u0103\u021bii, respectiv explorarea posibilit\u0103\u021bilor de rela\u021bionare \u0219i dialog \u00eentre cele dou\u0103 situa\u021bii. \u00cen acela\u0219i timp, manifest\u0103 o afinitate pentru investigarea diferitelor mecanisme \u0219i sisteme algoritmice de tip conceptual pe care le compune \u00een diverse cadre vizuale pornind dintr-o pozi\u021bie performativ\u0103. <br>\u00cen prezent este student doctorand \u00een cadrul Facult\u0103\u0163ii de Arte \u0219i Design din Timi\u0219oara, cu o tez\u0103 intitulat\u0103 Vidul \u2013 \u00eentre transcenden\u021b\u0103 \u0219i reprezentare.<br><\/p>\n\n\n\n<hr class=\"wp-block-separator has-alpha-channel-opacity\"\/>\n\n\n\n<p>Multumiri lui Mihai Dragan si domnului Horia Gligor pentru amabilitate si disponibilitate.<br><\/p>\n\n\n\n<p><\/p>\n","protected":false},"excerpt":{"rendered":"<p>by NEJA TOM\u0160I\u010c SI MIHAI TOTH\u2014 performance-in-dezvoltare, 2023 7 OCT 2023, 17:00 \/ MX \u2013 Depoul STPT \u00cen aceast\u0103 prim\u0103 itera\u021bie a unui proiect \u00een devenire, Neja Tom\u0161i\u010d \u0219i Mihai Toth colaboreaz\u0103 pentru a reflecta asupra istoriilor intersectate ale calculatoarelor \u00een Europa de Est, analiz\u00e2nd infrastructurile tangibile \u0219i intangibile care le-au sus\u021binut. Mai exact, cerceteaz\u0103 [&hellip;]<\/p>\n","protected":false},"author":2,"featured_media":769,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_acf_changed":false,"footnotes":""},"categories":[16],"tags":[],"class_list":["post-573","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-instalatii"],"acf":[],"_links":{"self":[{"href":"https:\/\/simultan.org\/2023\/wp-json\/wp\/v2\/posts\/573","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/simultan.org\/2023\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/simultan.org\/2023\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/simultan.org\/2023\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/simultan.org\/2023\/wp-json\/wp\/v2\/comments?post=573"}],"version-history":[{"count":15,"href":"https:\/\/simultan.org\/2023\/wp-json\/wp\/v2\/posts\/573\/revisions"}],"predecessor-version":[{"id":779,"href":"https:\/\/simultan.org\/2023\/wp-json\/wp\/v2\/posts\/573\/revisions\/779"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/simultan.org\/2023\/wp-json\/wp\/v2\/media\/769"}],"wp:attachment":[{"href":"https:\/\/simultan.org\/2023\/wp-json\/wp\/v2\/media?parent=573"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/simultan.org\/2023\/wp-json\/wp\/v2\/categories?post=573"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/simultan.org\/2023\/wp-json\/wp\/v2\/tags?post=573"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}