{"id":1413,"date":"2023-09-24T08:52:08","date_gmt":"2023-09-24T08:52:08","guid":{"rendered":"https:\/\/simultan.org\/2024\/?page_id=1413"},"modified":"2024-10-03T07:53:44","modified_gmt":"2024-10-03T07:53:44","slug":"video","status":"publish","type":"page","link":"https:\/\/simultan.org\/2024\/en\/video\/","title":{"rendered":"VIDEO"},"content":{"rendered":"\n

THE LIST OF THE VIDEO WORKS INCLUDED IN THE SIMULTAN FESTIVAL 2024 PROGRAM<\/strong>
The screenings will take place in 4 rooms (3 within the Corneliu Miklosi Museum and one in the former STPT workshops).
Room notes by Marina Oprea.

Program
October 3-4: 6 PM \u2013 8 PM
October 5-6: 4 PM \u2013 8 PM<\/p>\n\n\n\n


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Still video – Hantao Li, Natura 2040, 2024
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ROOM 1 : Echoes in the Machine<\/strong><\/p>\n\n\n\n

This selection contemplates the fluid essence of human existence, where the lines between virtual landscapes and tangible realities blur and dissolve. Ideas, emotions, and personal histories flow through the web of memory and data, reframing the self in the shadow of technology’s ever-expanding presence.<\/em>
<\/em>The body emerges as a site where identity and personal history are inscribed and reimagined. These videos explore the delicate interplay of memory, space, and being \u2013 where personal dwellings expand into the virtual, and the intimate becomes entangled with the speculative. In this fictitious continuum, presence is both fleeting and fixed, endlessly shaped by the tensions between what we recall and what is digitally encoded.<\/em>
<\/em>This is a meditation on existence in the digital age, where humanity is both creator and subject, forever negotiating its place between the real and the artificial, the remembered and the imagined.<\/em><\/p>\n\n\n\n

Noviki (Poland), The Dream of the Machine<\/strong>, 14:14, 2024<\/p>\n\n\n\n

Lisa Marie Schmitt (Germany), Not so Kool’haas<\/strong>, 09:35, 2022<\/p>\n\n\n\n

Albert Sten (Sweden), A Hard Currency of Memories<\/strong>, 10:08, 2024<\/p>\n\n\n\n

Jiawen Uffline (China), Let Yourself L\u1e1b\u00e4k a Little<\/strong>, 07:49, 2024<\/p>\n\n\n\n

Johannes Gierlinger (Austria), Barricades are Bridges and Ideas Cannot be Shot<\/strong>, 12:00, 2023<\/p>\n\n\n\n

SeoJin Moon (Korea), Zin Nyein Aye (Myanmar), \u5f02\u4eba\u5165\u6237 Moments in Motion<\/strong>, 02:33, 2024<\/p>\n\n\n\n

Katsuki Nogami (Japan), Body Memory<\/strong>, 04:40, 2024<\/p>\n\n\n\n

Paulius Sliaupa (Lithuania), Winterteller<\/strong>, 12:15, 2024


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ROOM 2 : <\/strong>The Sound and Language of Data<\/strong><\/p>\n\n\n\n

Data breathes, grids pulse, and charts become abstract symphonies, where information flows like an endless river of evolving form. Here, statistics are no longer confined to depictions but are transformed into a medium of pure aesthetic exploration. Through a confluence of axes, numbers, maps, and motion graphics, these works transcend depiction, weaving soundscapes and visuals into a layered exploration of the digital sublime. Data becomes more than a tool \u2013 it emerges as a living, breathing medium, constantly shifting and evolving in a perpetual loop of innovation.<\/em>
This selection asks not just what data represents but what it can become, as imagery builds, deconstructs, and reconfigures itself in an endless cycle of motion and sound, reflecting on the relentless gathering of information and questioning how we think about, feel, and assimilate it in an age of endless streams.<\/em><\/p>\n\n\n\n

Harvey Goldman, Jing Wang (United States), Entropy of Truth<\/strong>, 05:48, 2024<\/p>\n\n\n\n

Leon Butler (Ireland), Lana Tankosa Nikolic & Martina Scarpelli (Denmark), Imagined Islands<\/strong>, 01:10, 2024<\/p>\n\n\n\n

Maciek St\u0119pniewski (Poland), Deathwaves (or a Fungal Hecatomb)<\/strong>, 04:59, 2023<\/p>\n\n\n\n

Marco Joubert (Canada), A Different Goal<\/strong>, 03:26, 2023<\/p>\n\n\n\n

Max Hattler (Germany), O\/S<\/strong>, 05:00, 2023<\/p>\n\n\n\n

Be\u00e1ta Kolba\u0161ovsk\u00e1 (Slovakia), Agape \/ Temporary Echoes<\/strong>, 04:30, 2024<\/p>\n\n\n\n

Alex Halka (Romania), Ephemeral Pulse<\/strong>, 02:11, 2024<\/p>\n\n\n\n

Rosario Grieco (Italy), Data Shapes<\/strong>, 10:00, 2024<\/p>\n\n\n\n

Andrea Amadei (Italy), 45000 Frames of the Sea at Sunset<\/strong>, 06:49, 2024<\/p>\n\n\n\n

Katrin Hahner (Germany), Hypercycle Jazz<\/strong>, 06:36, 2024<\/p>\n\n\n\n

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ROOM 3 : <\/strong>Pathways of Perception  <\/strong><\/p>\n\n\n\n

A vibrant digital ecology unfurls, where 3D renders and artificial intelligence intertwine to craft a dialogue between the natural world and the intricacies of societal constructs. These works explore visual phenomena that transcend mere representation, seeking to reintegrate the ephemeral into the fabric of reality.<\/em>
Volumetric compositions rise, echoing folklore and the mystique of human experience, as ancient tales meld the mystical with the mechanical. Some works take on a documentary format, challenging conventional storytelling, while others immerse the viewer within the liminal spaces between nature and artifice, between belief and skepticism. <\/em>
Here lies a profound exploration of what it means to be human in an age where the boundaries blur, urging us to reconsider our place within this evolving digital landscape \u2013 a sanctuary of transformation where the familiar becomes extraordinary.<\/em><\/p>\n\n\n\n

m’lk (South Africa), The Water Street Jellyfish<\/strong>, 08:27, 2024<\/p>\n\n\n\n

Miguel Angel Escobar Ramos (Colombia), Jungle Arrangement: Intestinal Bird<\/strong>, 09:40, 2024<\/p>\n\n\n\n

Sandra Crisp (United Kingdom), strange attractors [\u20261,000 years]<\/strong>, 05:26, 2023<\/p>\n\n\n\n

Jo Ngo (Vietnam), Salvation Horizon<\/strong>, 05:07, 2024<\/p>\n\n\n\n

S4RA (Portugal), bot3quim<\/strong>, 04:45, 2023<\/p>\n\n\n\n

Taietzel Ticalos (Romania), interference<\/strong>, 05:36, 2023<\/p>\n\n\n\n

Nicoleta Mures (Romania), Soul Transfer Complete<\/strong>, 02:23, 2022<\/p>\n\n\n\n

Keens Vereeniging (Spain), More (No) Mor<\/strong>e, 03:29, 2024<\/p>\n\n\n\n

Pablo Nieto Mercado (M\u00e9xico), Atl<\/strong>, 10:12, 2022<\/p>\n\n\n\n

\u00darsula San Crist\u00f3bal (Spain), Memento Mori, Memento Vivere<\/strong>, 04:10, 2024<\/p>\n\n\n\n

Ana Esteve Reig (Spain), Lucky Images<\/strong>, 08:55, 2024<\/p>\n\n\n\n

Ioana Bilea (Romania), A Panoply of Objects<\/strong>, 02:38, 2024<\/p>\n\n\n\n

Lloren\u00e7 Garcia Bas (Spain), Hypnotic Mechanisms<\/strong>, 08:06, 2024<\/p>\n\n\n\n

Luis Carlos Rodriguez (Spain), J.L. Berthelot (France), TEXtrucTURAS<\/strong>, 08:50, 2024


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ROOM 4 : <\/strong>Fractured Realities<\/strong><\/p>\n\n\n\n

Visionary realms blossom, unveiling futures woven with ecological advancements and the promise of technological harmony. As the remnants of the old world gradually fade, they make way for alternate realities that beckon us toward new modes of existence. As human consciousness survives and evolves as avatars, the fusion of the digital and the physical creates a tapestry of speculative fiction that illuminates the path forward. <\/em>
These works engage with the commodification of nature, questioning our relationship with the environment as they propose innovative models for interacting with the endangered natural world. In these explorations, the boundary between human-made structures and natural ecosystems disappear, crafting spaces where technology and nature coexist harmoniously.  <\/em>
As we stand at the precipice of transformation, this selection invites us to dream of a world where ecological integrity is not just preserved but celebrated, where the digital and the organic converge into a singular vision of unity.<\/em><\/p>\n\n\n\n

Sandrine Deumier (France), Electrical-darkness<\/strong>, 04:05, 2024<\/p>\n\n\n\n

Gohar Martirosyan (France \/ Armenia), The Mount A<\/strong>, 08:35, 2024<\/p>\n\n\n\n

Cezar Mocan (Romania), Welcome to Arcadia Inc<\/strong>., 05:17, 2024<\/p>\n\n\n\n

Hantao Li, Shuting Cui (China), NATURA 2040<\/strong>, 11:05, 2024<\/p>\n\n\n\n

John Butler (United Kingdom), The Fourth Planet<\/strong>, 09:30, 2024<\/p>\n\n\n\n

Rebeca Pascenco (Romania), Infinity Skies – The First Space Hotel<\/strong>, 03:21, 2024<\/p>\n\n\n\n

Tansy Xiao (United States), LUCA (Last Universal Common Ancestor)<\/strong>, 02:43, 2024<\/p>\n\n\n\n

Milan Antic (Serbia), The Dream<\/strong>, 05:00, 2023<\/p>\n\n\n\n


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THE LIST OF THE VIDEO WORKS INCLUDED IN THE SIMULTAN FESTIVAL 2024 PROGRAMThe screenings will take place in 4 rooms (3 within the Corneliu Miklosi Museum and one in the former STPT workshops). Room notes by Marina Oprea. Program October 3-4: 6 PM \u2013 8 PMOctober 5-6: 4 PM \u2013 8 PM ROOM 1 : […]<\/p>\n","protected":false},"author":2,"featured_media":1111,"parent":0,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":{"_acf_changed":false,"footnotes":""},"class_list":["post-1413","page","type-page","status-publish","has-post-thumbnail","hentry"],"acf":[],"_links":{"self":[{"href":"https:\/\/simultan.org\/2024\/en\/wp-json\/wp\/v2\/pages\/1413","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/simultan.org\/2024\/en\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/simultan.org\/2024\/en\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/simultan.org\/2024\/en\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/simultan.org\/2024\/en\/wp-json\/wp\/v2\/comments?post=1413"}],"version-history":[{"count":11,"href":"https:\/\/simultan.org\/2024\/en\/wp-json\/wp\/v2\/pages\/1413\/revisions"}],"predecessor-version":[{"id":1456,"href":"https:\/\/simultan.org\/2024\/en\/wp-json\/wp\/v2\/pages\/1413\/revisions\/1456"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/simultan.org\/2024\/en\/wp-json\/wp\/v2\/media\/1111"}],"wp:attachment":[{"href":"https:\/\/simultan.org\/2024\/en\/wp-json\/wp\/v2\/media?parent=1413"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}