{"id":1342,"date":"2024-09-30T14:49:04","date_gmt":"2024-09-30T14:49:04","guid":{"rendered":"https:\/\/simultan.org\/2024\/?p=1342"},"modified":"2024-09-30T15:27:17","modified_gmt":"2024-09-30T15:27:17","slug":"rebecca-salvadori","status":"publish","type":"post","link":"https:\/\/simultan.org\/2024\/en\/rebecca-salvadori\/","title":{"rendered":"REBECCA SALVADORI"},"content":{"rendered":"\n<p><em><strong>MESSENGER<\/strong><\/em><strong><em>S<\/em><\/strong><br>\u2013\u00a0Screening and conversation with the artist<br>Sunday, 6 Oct. 18:00 \u2013 Corneliu Miklo\u0219i Museum<\/p>\n\n\n\n<hr class=\"wp-block-separator has-alpha-channel-opacity\"\/>\n\n\n\n<figure class=\"wp-block-image size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"1024\" height=\"768\" src=\"https:\/\/simultan.org\/2024\/wp-content\/uploads\/2024\/09\/Rebecca-Salvadori-by-Henerico-Rossi-1024x768.jpg\" alt=\"\" class=\"wp-image-1335\" srcset=\"https:\/\/simultan.org\/2024\/wp-content\/uploads\/2024\/09\/Rebecca-Salvadori-by-Henerico-Rossi-1024x768.jpg 1024w, https:\/\/simultan.org\/2024\/wp-content\/uploads\/2024\/09\/Rebecca-Salvadori-by-Henerico-Rossi-300x225.jpg 300w, https:\/\/simultan.org\/2024\/wp-content\/uploads\/2024\/09\/Rebecca-Salvadori-by-Henerico-Rossi-768x576.jpg 768w, https:\/\/simultan.org\/2024\/wp-content\/uploads\/2024\/09\/Rebecca-Salvadori-by-Henerico-Rossi.jpg 1200w\" sizes=\"auto, (max-width: 1024px) 100vw, 1024px\" \/><figcaption class=\"wp-element-caption\">foto Henerico Rossi<\/figcaption><\/figure>\n\n\n\n<p>Since 2019, video artist and filmmaker <a href=\"https:\/\/rebeccasalvadori.com\/\" target=\"_blank\" rel=\"noreferrer noopener\">Rebecca Salvadori<\/a> has been experimenting with the convergence of performance, moving image, and live filming, drawing from her deep-rooted cinematic research within London\u2019s experimental music ecosystems. <em>Messengers<\/em> emerges as a site-specific, multifaceted film-in-the-making, unfolding across multiple dimensions: a hybrid film experience that is simultaneously a self-portrait, a portrait of a group of artists, of different music scenes, of a city in a specific moment of time.<\/p>\n\n\n\n<p>As part of <em>cover me softly<\/em>, the 2024 edition of the Beta Architecture Biennial, and in collaboration with Simultan Festival, Salvadori will present a screening of <em>Messengers<\/em>, featuring footage of Kenichi Iwasa, Maxwell Sterling, GAISTER (Olivia Salvadori, Coby Sey, and Akihide Monna), Charlie Hope, Elaine Tam, Nhu Xuan Hua, and Henerico Rossi. The screening will be followed by a conversation between the artist, the curatorial team of <em>cover me softly<\/em>, and the audience.<br><br><em>Messengers<\/em> is part of a large video archive of relations and experimental music documentation that Salvadori has built over the last 14 years (2010\u201324). <em>Messengers<\/em> was commissioned by PAF Olomouc, Festival of Film Animation and Contemporary Art in 2022 and has developed thanks to the support of Mars\u00e8ll Paradise, Milan (2023), Norient Festival, Dampfzentrale Bern, Switzerland (2024), and in partnership with Tutto Questo Sentire.<\/p>\n\n\n\n<hr class=\"wp-block-separator has-alpha-channel-opacity\"\/>\n","protected":false},"excerpt":{"rendered":"<p>MESSENGERS\u2013\u00a0Screening and conversation with the artistSunday, 6 Oct. 18:00 \u2013 Corneliu Miklo\u0219i Museum Since 2019, video artist and filmmaker Rebecca Salvadori has been experimenting with the convergence of performance, moving image, and live filming, drawing from her deep-rooted cinematic research within London\u2019s experimental music ecosystems. Messengers emerges as a site-specific, multifaceted film-in-the-making, unfolding across multiple [&hellip;]<\/p>\n","protected":false},"author":2,"featured_media":1335,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_acf_changed":false,"footnotes":""},"categories":[20],"tags":[],"class_list":["post-1342","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-talks"],"acf":[],"_links":{"self":[{"href":"https:\/\/simultan.org\/2024\/en\/wp-json\/wp\/v2\/posts\/1342","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/simultan.org\/2024\/en\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/simultan.org\/2024\/en\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/simultan.org\/2024\/en\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/simultan.org\/2024\/en\/wp-json\/wp\/v2\/comments?post=1342"}],"version-history":[{"count":1,"href":"https:\/\/simultan.org\/2024\/en\/wp-json\/wp\/v2\/posts\/1342\/revisions"}],"predecessor-version":[{"id":1343,"href":"https:\/\/simultan.org\/2024\/en\/wp-json\/wp\/v2\/posts\/1342\/revisions\/1343"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/simultan.org\/2024\/en\/wp-json\/wp\/v2\/media\/1335"}],"wp:attachment":[{"href":"https:\/\/simultan.org\/2024\/en\/wp-json\/wp\/v2\/media?parent=1342"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/simultan.org\/2024\/en\/wp-json\/wp\/v2\/categories?post=1342"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/simultan.org\/2024\/en\/wp-json\/wp\/v2\/tags?post=1342"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}