{"id":1371,"date":"2024-09-23T20:17:42","date_gmt":"2024-09-23T20:17:42","guid":{"rendered":"https:\/\/simultan.org\/2024\/?p=1371"},"modified":"2024-09-30T16:02:05","modified_gmt":"2024-09-30T16:02:05","slug":"franck-vigroux-antoine-schmitt","status":"publish","type":"post","link":"https:\/\/simultan.org\/2024\/en\/franck-vigroux-antoine-schmitt\/","title":{"rendered":"FRANCK VIGROUX &amp; ANTOINE SCHMITT"},"content":{"rendered":"\n<p><strong><em>ATOTAL<\/em><\/strong><br>\u2014 AV performance<br>Thrusday, Oct. 3, 10 PM &#8211; Corneliu Miklo\u0219i Museum<\/p>\n\n\n\n<hr class=\"wp-block-separator has-alpha-channel-opacity\"\/>\n\n\n\n<figure class=\"wp-block-image size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"1024\" height=\"682\" src=\"https:\/\/simultan.org\/2024\/wp-content\/uploads\/2023\/09\/FRANCK_VIGROUX_ATOTAL_1er_export_photo_quentin_chevrier_mai2021-5-1-1024x682.jpg\" alt=\"\" class=\"wp-image-908\" srcset=\"https:\/\/simultan.org\/2024\/wp-content\/uploads\/2023\/09\/FRANCK_VIGROUX_ATOTAL_1er_export_photo_quentin_chevrier_mai2021-5-1-1024x682.jpg 1024w, https:\/\/simultan.org\/2024\/wp-content\/uploads\/2023\/09\/FRANCK_VIGROUX_ATOTAL_1er_export_photo_quentin_chevrier_mai2021-5-1-300x200.jpg 300w, https:\/\/simultan.org\/2024\/wp-content\/uploads\/2023\/09\/FRANCK_VIGROUX_ATOTAL_1er_export_photo_quentin_chevrier_mai2021-5-1-768x512.jpg 768w, https:\/\/simultan.org\/2024\/wp-content\/uploads\/2023\/09\/FRANCK_VIGROUX_ATOTAL_1er_export_photo_quentin_chevrier_mai2021-5-1.jpg 1400w\" sizes=\"auto, (max-width: 1024px) 100vw, 1024px\" \/><figcaption class=\"wp-element-caption\">photo: Quentin Chevrier<\/figcaption><\/figure>\n\n\n\n<p>The total work of art, when pushed to its paroxysm of absolute coincidence of the perceptions of a captive spectator, is similar to the techniques of mental manipulation of totalitarianism, proceeding by abolition of the critical spirit, repetitive semantic bludgeoning, subliminal messages. <br><strong><em>ATOTAL<\/em><\/strong> is an audio-visual show aiming to reconstruct in order to better deconstruct the processes of imposition of the will by repetition and absolute synchronism, to propose an opening on a perhaps saving decoincidence.<\/p>\n\n\n\n<p><strong><a href=\"https:\/\/www.franckvigroux.com\/\" target=\"_blank\" rel=\"noreferrer noopener\">Franck Vigroux<\/a><\/strong>\u2019s uniqueness comes from his artistic approach that integrates new media and performance arts, designing transdisciplinary audiovisual concerts. Collaborating with visual artist <a href=\"https:\/\/www.antoineschmitt.com\/\" target=\"_blank\" rel=\"noreferrer noopener\"><strong>Antoine Schmitt<\/strong><\/a>, heir of kinetic art and cybernetic art, nourished by metaphysical science-fiction, through his objects and installations, he endlessly interrogates the dynamic interactions between human nature and the nature of reality.<\/p>\n\n\n\n<hr class=\"wp-block-separator has-alpha-channel-opacity\"\/>\n\n\n\n<figure class=\"wp-block-embed is-type-video is-provider-vimeo wp-block-embed-vimeo wp-embed-aspect-16-9 wp-has-aspect-ratio\"><div class=\"wp-block-embed__wrapper\">\n<iframe loading=\"lazy\" title=\"Atotal\" src=\"https:\/\/player.vimeo.com\/video\/548427983?dnt=1&amp;app_id=122963\" width=\"500\" height=\"281\" frameborder=\"0\" allow=\"autoplay; fullscreen; picture-in-picture; clipboard-write\"><\/iframe>\n<\/div><\/figure>\n","protected":false},"excerpt":{"rendered":"<p>ATOTAL\u2014 AV performanceThrusday, Oct. 3, 10 PM &#8211; Corneliu Miklo\u0219i Museum The total work of art, when pushed to its paroxysm of absolute coincidence of the perceptions of a captive spectator, is similar to the techniques of mental manipulation of totalitarianism, proceeding by abolition of the critical spirit, repetitive semantic bludgeoning, subliminal messages. ATOTAL is [&hellip;]<\/p>\n","protected":false},"author":2,"featured_media":908,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_acf_changed":false,"footnotes":""},"categories":[21],"tags":[],"class_list":["post-1371","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-live-acts"],"acf":[],"_links":{"self":[{"href":"https:\/\/simultan.org\/2024\/en\/wp-json\/wp\/v2\/posts\/1371","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/simultan.org\/2024\/en\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/simultan.org\/2024\/en\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/simultan.org\/2024\/en\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/simultan.org\/2024\/en\/wp-json\/wp\/v2\/comments?post=1371"}],"version-history":[{"count":1,"href":"https:\/\/simultan.org\/2024\/en\/wp-json\/wp\/v2\/posts\/1371\/revisions"}],"predecessor-version":[{"id":1373,"href":"https:\/\/simultan.org\/2024\/en\/wp-json\/wp\/v2\/posts\/1371\/revisions\/1373"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/simultan.org\/2024\/en\/wp-json\/wp\/v2\/media\/908"}],"wp:attachment":[{"href":"https:\/\/simultan.org\/2024\/en\/wp-json\/wp\/v2\/media?parent=1371"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/simultan.org\/2024\/en\/wp-json\/wp\/v2\/categories?post=1371"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/simultan.org\/2024\/en\/wp-json\/wp\/v2\/tags?post=1371"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}