{"id":1376,"date":"2024-09-23T20:41:42","date_gmt":"2024-09-23T20:41:42","guid":{"rendered":"https:\/\/simultan.org\/2024\/?p=1376"},"modified":"2024-09-30T18:09:09","modified_gmt":"2024-09-30T18:09:09","slug":"33","status":"publish","type":"post","link":"https:\/\/simultan.org\/2024\/en\/33\/","title":{"rendered":"33"},"content":{"rendered":"\n<p>\u2014 Live performance<br>Friday, Oct. 4, 21:30 &#8211; Corneliu Miklo\u0219i Museum<\/p>\n\n\n\n<hr class=\"wp-block-separator has-alpha-channel-opacity\"\/>\n\n\n\n<figure class=\"wp-block-image size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"1024\" height=\"670\" src=\"https:\/\/simultan.org\/2024\/wp-content\/uploads\/2023\/09\/xxxiii_bbai1-Sophie-Klock-1-1024x670.jpg\" alt=\"\" class=\"wp-image-898\" srcset=\"https:\/\/simultan.org\/2024\/wp-content\/uploads\/2023\/09\/xxxiii_bbai1-Sophie-Klock-1-1024x670.jpg 1024w, https:\/\/simultan.org\/2024\/wp-content\/uploads\/2023\/09\/xxxiii_bbai1-Sophie-Klock-1-300x196.jpg 300w, https:\/\/simultan.org\/2024\/wp-content\/uploads\/2023\/09\/xxxiii_bbai1-Sophie-Klock-1-768x503.jpg 768w, https:\/\/simultan.org\/2024\/wp-content\/uploads\/2023\/09\/xxxiii_bbai1-Sophie-Klock-1.jpg 1500w\" sizes=\"auto, (max-width: 1024px) 100vw, 1024px\" \/><figcaption class=\"wp-element-caption\"><em>Photo Sophie Klock<\/em><\/figcaption><\/figure>\n\n\n\n<p><a href=\"https:\/\/www.instagram.com\/33___33_33\/\">33<\/a> is a Berlin-based music ensemble founded by its core-members, Alexander Iezzi and Billy Bultheel. With their experimental pop debut &#8220;33\u201369&#8221;, the duo, along with a constellation of talented musicians, explores the fusion of machine gun techno, bone-chilling industrial, and baroque voices. Their approach exemplifies a dynamic, evolving constellation of collaborations that transcend traditional musical boundaries, from experimentalists to classically trained performers. Beyond the studio, 33&#8217;s live performances, often held in non-traditional spaces, take on a performative and installation nature, engaging audiences in a multisensory experience that pushes the limits of conventional music.<br><\/p>\n\n\n\n<p><br><\/p>\n\n\n\n<hr class=\"wp-block-separator has-alpha-channel-opacity\"\/>\n\n\n\n<figure class=\"wp-block-embed is-type-video is-provider-youtube wp-block-embed-youtube wp-embed-aspect-16-9 wp-has-aspect-ratio\"><div class=\"wp-block-embed__wrapper\">\n<iframe loading=\"lazy\" title=\"33 plugged 002 Live at PAF Olomouc\" width=\"500\" height=\"281\" src=\"https:\/\/www.youtube.com\/embed\/PGGFgu4IHHo?feature=oembed\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" referrerpolicy=\"strict-origin-when-cross-origin\" allowfullscreen><\/iframe>\n<\/div><\/figure>\n","protected":false},"excerpt":{"rendered":"<p>\u2014 Live performanceFriday, Oct. 4, 21:30 &#8211; Corneliu Miklo\u0219i Museum 33 is a Berlin-based music ensemble founded by its core-members, Alexander Iezzi and Billy Bultheel. With their experimental pop debut &#8220;33\u201369&#8221;, the duo, along with a constellation of talented musicians, explores the fusion of machine gun techno, bone-chilling industrial, and baroque voices. Their approach exemplifies [&hellip;]<\/p>\n","protected":false},"author":2,"featured_media":899,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_acf_changed":false,"footnotes":""},"categories":[21],"tags":[],"class_list":["post-1376","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-live-acts"],"acf":[],"_links":{"self":[{"href":"https:\/\/simultan.org\/2024\/en\/wp-json\/wp\/v2\/posts\/1376","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/simultan.org\/2024\/en\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/simultan.org\/2024\/en\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/simultan.org\/2024\/en\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/simultan.org\/2024\/en\/wp-json\/wp\/v2\/comments?post=1376"}],"version-history":[{"count":1,"href":"https:\/\/simultan.org\/2024\/en\/wp-json\/wp\/v2\/posts\/1376\/revisions"}],"predecessor-version":[{"id":1377,"href":"https:\/\/simultan.org\/2024\/en\/wp-json\/wp\/v2\/posts\/1376\/revisions\/1377"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/simultan.org\/2024\/en\/wp-json\/wp\/v2\/media\/899"}],"wp:attachment":[{"href":"https:\/\/simultan.org\/2024\/en\/wp-json\/wp\/v2\/media?parent=1376"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/simultan.org\/2024\/en\/wp-json\/wp\/v2\/categories?post=1376"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/simultan.org\/2024\/en\/wp-json\/wp\/v2\/tags?post=1376"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}