{"id":1380,"date":"2024-09-23T20:37:52","date_gmt":"2024-09-23T20:37:52","guid":{"rendered":"https:\/\/simultan.org\/2024\/?p=1380"},"modified":"2024-09-30T18:17:03","modified_gmt":"2024-09-30T18:17:03","slug":"hanno-leichtmann-valerio-tricoli","status":"publish","type":"post","link":"https:\/\/simultan.org\/2024\/en\/hanno-leichtmann-valerio-tricoli\/","title":{"rendered":"HANNO LEICHTMANN &amp; VALERIO TRICOLI"},"content":{"rendered":"\n<p>\u2014 Live performance<br>Saturday, Oct. 5, 21:00 &#8211; Corneliu Miklo\u0219i Museum<\/p>\n\n\n\n<hr class=\"wp-block-separator has-alpha-channel-opacity\"\/>\n\n\n\n<figure class=\"wp-block-image size-full\"><img loading=\"lazy\" decoding=\"async\" width=\"813\" height=\"543\" src=\"https:\/\/simultan.org\/2024\/wp-content\/uploads\/2023\/09\/HLVT-live-at-Meakusma-1.png\" alt=\"\" class=\"wp-image-885\" srcset=\"https:\/\/simultan.org\/2024\/wp-content\/uploads\/2023\/09\/HLVT-live-at-Meakusma-1.png 813w, https:\/\/simultan.org\/2024\/wp-content\/uploads\/2023\/09\/HLVT-live-at-Meakusma-1-300x200.png 300w, https:\/\/simultan.org\/2024\/wp-content\/uploads\/2023\/09\/HLVT-live-at-Meakusma-1-768x513.png 768w\" sizes=\"auto, (max-width: 813px) 100vw, 813px\" \/><figcaption class=\"wp-element-caption\"><em>live at Meakusma<\/em><\/figcaption><\/figure>\n\n\n\n<p><br><strong><a href=\"https:\/\/www.soundohm.com\/article\/valerio-tricoli\" target=\"_blank\" rel=\"noreferrer noopener\">Valerio Tricoli<\/a><\/strong> is one of the most important figures in contemporary musique concr\u00e8te. He is a composer, performer, creator of sound installations and improviser, master of the reel-to-reel tape recorder. His art primarily addresses issues such as the reality and virtuality of sound, the various forms of its reproduction, and the problems of memory associated with the aforementioned themes. In his view, concrete music is always suspended between the \u2018here and now\u2019 and the shadowy empire of memory \u2013 distant but simultaneously present experiences, not far removed from the phenomenon of d\u00e9j\u00e0-vu. Tricoli is one of the pillars of today\u2019s leading experimental music label, PAN.<br><br><strong><a href=\"https:\/\/hannoleichtmann.com\/\" target=\"_blank\" rel=\"noreferrer noopener\">Hanno Leichtmann<\/a><\/strong> is a sound artist and curator from Berlin known for his influential contributions to the electronic music scene and his festival curations. He began his music career in the late 1990s and quickly became known for his unique approach to electronic music production and performance. His work spans various genres, from experimental electronics to ambient and minimal techno. His artistic vision is characterized by subtle soundscapes, delicate rhythms and a penchant for sound exploration.<\/p>\n\n\n\n<p><br><\/p>\n\n\n\n<hr class=\"wp-block-separator has-alpha-channel-opacity\"\/>\n\n\n\n<figure class=\"wp-block-embed is-type-video is-provider-youtube wp-block-embed-youtube wp-embed-aspect-16-9 wp-has-aspect-ratio\"><div class=\"wp-block-embed__wrapper\">\n<iframe loading=\"lazy\" title=\"Hanno Leichtmann \/ Valerio Tricoli\" width=\"500\" height=\"281\" src=\"https:\/\/www.youtube.com\/embed\/wMeTe4V9uSU?feature=oembed\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" referrerpolicy=\"strict-origin-when-cross-origin\" allowfullscreen><\/iframe>\n<\/div><\/figure>\n\n\n\n<p><\/p>\n\n\n\n<p><\/p>\n","protected":false},"excerpt":{"rendered":"<p>\u2014 Live performanceSaturday, Oct. 5, 21:00 &#8211; Corneliu Miklo\u0219i Museum Valerio Tricoli is one of the most important figures in contemporary musique concr\u00e8te. He is a composer, performer, creator of sound installations and improviser, master of the reel-to-reel tape recorder. His art primarily addresses issues such as the reality and virtuality of sound, the various [&hellip;]<\/p>\n","protected":false},"author":2,"featured_media":886,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_acf_changed":false,"footnotes":""},"categories":[21],"tags":[],"class_list":["post-1380","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-live-acts"],"acf":[],"_links":{"self":[{"href":"https:\/\/simultan.org\/2024\/en\/wp-json\/wp\/v2\/posts\/1380","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/simultan.org\/2024\/en\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/simultan.org\/2024\/en\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/simultan.org\/2024\/en\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/simultan.org\/2024\/en\/wp-json\/wp\/v2\/comments?post=1380"}],"version-history":[{"count":1,"href":"https:\/\/simultan.org\/2024\/en\/wp-json\/wp\/v2\/posts\/1380\/revisions"}],"predecessor-version":[{"id":1381,"href":"https:\/\/simultan.org\/2024\/en\/wp-json\/wp\/v2\/posts\/1380\/revisions\/1381"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/simultan.org\/2024\/en\/wp-json\/wp\/v2\/media\/886"}],"wp:attachment":[{"href":"https:\/\/simultan.org\/2024\/en\/wp-json\/wp\/v2\/media?parent=1380"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/simultan.org\/2024\/en\/wp-json\/wp\/v2\/categories?post=1380"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/simultan.org\/2024\/en\/wp-json\/wp\/v2\/tags?post=1380"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}