{"id":387,"date":"2023-09-24T08:52:08","date_gmt":"2023-09-24T08:52:08","guid":{"rendered":"https:\/\/simultan.org\/2023\/?page_id=387"},"modified":"2024-10-03T08:00:49","modified_gmt":"2024-10-03T08:00:49","slug":"video","status":"publish","type":"page","link":"https:\/\/simultan.org\/2024\/video\/","title":{"rendered":"VIDEO"},"content":{"rendered":"\n

LISTA LUCR\u0102RILOR VIDEO INCLUSE \u00ceN PROGRAMUL SIMULTAN FESTIVAL 2024<\/strong>
Proiec\u021biile au loc in 4 \u00eenc\u0103peri (3 \u00een incinta Muzeului Corrneliu Miklosi \u0219i o \u00eencapere la fostele ateliere STPT).
Texte de sal\u0103 Marina Oprea

Program de vizionare:
Joi 3 Oct<\/strong> – Vineri 4 Oct<\/strong> \/ interval orar 18 – 20<\/strong>
S\u00e2mb\u0103t\u0103 5 Oct<\/strong> – Duminic\u0103 6 Oct<\/strong> \/ interval orar 16 – 20<\/strong>
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Still video – Hantao Li, Natura 2040, 2024<\/figcaption><\/figure>\n\n\n\n

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SALA 1 : Echoes in the Machine<\/strong><\/p>\n\n\n\n

Aceast\u0103 selec\u021bie reflect\u0103 asupra esen\u021bei fluide a existen\u021bei umane, unde grani\u021bele dintre peisajele virtuale \u0219i realit\u0103\u021bile tangibile se estompeaz\u0103 \u0219i se dizolv\u0103. Ideile, emo\u021biile \u0219i istoriile personale curg prin re\u021beaua de memorie \u0219i date, reformul\u00e2nd sinele \u00een umbra omniprezen\u021bei \u00een continu\u0103 expansiune a tehnologiei.<\/em>
Corpul devine locul \u00een care identitatea \u0219i istoria personal\u0103 sunt \u00eenscrise \u0219i reimaginate. Aceste video-uri exploreaz\u0103 jocul delicat al memoriei, spa\u021biului \u0219i fiin\u021bei \u2013 unde locuirea personal\u0103 se extinde \u00een virtual, iar intimitatea se confund\u0103 cu speculativul. \u00cen acest continuum fictiv, prezen\u021ba este deopotriv\u0103 fugitiv\u0103 \u0219i stabil\u0103, modelat\u0103 la nesf\u00e2r\u0219it de tensiunile dintre ceea ce ne amintim \u0219i ceea ce este codificat digital.<\/em>
Aceasta este o reflec\u021bie asupra existen\u021bei \u00een era digital\u0103, \u00een care umanitatea este deopotriv\u0103 creator \u0219i subiect, negociindu-\u0219i \u00een permanen\u021b\u0103 locul \u00eentre real \u0219i artificial, \u00eentre memorie \u0219i imagina\u021bie.<\/em><\/p>\n\n\n\n

Noviki (Poland), The Dream of the Machine<\/strong>, 14:14, 2024<\/p>\n\n\n\n

Lisa Marie Schmitt (Germany), Not so Kool’haas<\/strong>, 09:35, 2022<\/p>\n\n\n\n

Albert Sten (Sweden), A Hard Currency of Memories<\/strong>, 10:08, 2024<\/p>\n\n\n\n

Jiawen Uffline (China), Let Yourself L\u1e1b\u00e4k a Little<\/strong>, 07:49, 2024<\/p>\n\n\n\n

Johannes Gierlinger (Austria), Barricades are Bridges and Ideas Cannot be Shot<\/strong>, 12:00, 2023<\/p>\n\n\n\n

SeoJin Moon (Korea), Zin Nyein Aye (Myanmar), \u5f02\u4eba\u5165\u6237 Moments in Motion<\/strong>, 02:33, 2024<\/p>\n\n\n\n

Katsuki Nogami (Japan), Body Memory<\/strong>, 04:40, 2024<\/p>\n\n\n\n

Paulius Sliaupa (Lithuania), Winterteller<\/strong>, 12:15, 2024


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SALA 2 : <\/strong>The Sound and Language of Data<\/strong><\/p>\n\n\n\n

Datele respir\u0103, grilele pulseaz\u0103, iar graficele devin simfonii abstracte, \u00een care informa\u021biile curg ca un r\u00e2u nesf\u00e2r\u0219it de forme evolutive. Aici, statisticile nu mai sunt limitate la reprezent\u0103ri, ci sunt transformate \u00eentr-un mediu de pur studiu estetic. Printr-o confluen\u021b\u0103 de axe, numere, h\u0103r\u021bi \u0219i grafic\u0103 \u00een mi\u0219care, aceste lucr\u0103ri transcend reprezentarea, \u00eempletind peisaje sonore \u0219i vizuale \u00eentr-o explorare stratificat\u0103 a sublimului digital. Datele devin mai mult dec\u00e2t un instrument – ele apar ca un mediu viu, care respir\u0103, schimb\u00e2ndu-se \u0219i evolu\u00e2nd constant \u00eentr-o bucl\u0103 perpetu\u0103 de inova\u021bie.<\/em>
Aceast\u0103 selec\u021bie chestioneaz\u0103 nu doar ceea ce reprezint\u0103 datele, ci \u0219i ceea ce ar putea deveni, pe m\u0103sur\u0103 ce imaginile se construiesc, se deconstruiesc \u0219i se reconfigureaz\u0103 \u00eentr-un ciclu nesf\u00e2r\u0219it de mi\u0219care \u0219i sunet, reflect\u00e2nd asupra colect\u0103rii ne\u00eencetate de informa\u021bii \u0219i pun\u00e2nd sub semnul \u00eentreb\u0103rii modul \u00een care le g\u00e2ndim, le sim\u021bim \u0219i le asimil\u0103m \u00eentr-o epoc\u0103 a fluxurilor nesf\u00e2r\u0219ite.<\/em><\/p>\n\n\n\n

Harvey Goldman, Jing Wang (United States), Entropy of Truth<\/strong>, 05:48, 2024<\/p>\n\n\n\n

Leon Butler (Ireland), Lana Tankosa Nikolic & Martina Scarpelli (Denmark), Imagined Islands<\/strong>, 01:10, 2024<\/p>\n\n\n\n

Maciek St\u0119pniewski (Poland), Deathwaves (or a Fungal Hecatomb)<\/strong>, 04:59, 2023<\/p>\n\n\n\n

Marco Joubert (Canada), A Different Goal<\/strong>, 03:26, 2023<\/p>\n\n\n\n

Max Hattler (Germany), O\/S<\/strong>, 05:00, 2023<\/p>\n\n\n\n

Be\u00e1ta Kolba\u0161ovsk\u00e1 (Slovakia), Agape \/ Temporary Echoes<\/strong>, 04:30, 2024<\/p>\n\n\n\n

Alex Halka (Romania), Ephemeral Pulse<\/strong>, 02:11, 2024<\/p>\n\n\n\n

Rosario Grieco (Italy), Data Shapes<\/strong>, 10:00, 2024<\/p>\n\n\n\n

Andrea Amadei (Italy), 45000 Frames of the Sea at Sunset<\/strong>, 06:49, 2024<\/p>\n\n\n\n

Katrin Hahner (Germany), Hypercycle Jazz<\/strong>, 06:36, 2024<\/p>\n\n\n\n

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SALA 3 : <\/strong>Pathways of Perception\u00a0\u00a0<\/strong><\/p>\n\n\n\n

O ecologie digital\u0103 vibrant\u0103 se contureaz\u0103, \u00een care rand\u0103rile 3D \u0219i inteligen\u021ba artificial\u0103 se \u00eentrep\u0103trund pentru a crea un dialog \u00eentre lumea natural\u0103 \u0219i complexitatea constructelor societale. Aceste lucr\u0103ri exploreaz\u0103 fenomene vizuale care transcend simpla reprezentare, \u00eencerc\u00e2nd s\u0103 reintegreze efemerul \u00een \u021bes\u0103tura realit\u0103\u021bii.<\/em>
Compozi\u021bii volumetrice se \u00eenal\u021b\u0103, evoc\u00e2nd folclorul \u0219i mistica experien\u021bei umane, \u00een timp ce pove\u0219ti str\u0103vechi \u00eembin\u0103 misticul cu mecanicul. Unele lucr\u0103ri adopt\u0103 un format documentar, sfid\u00e2nd povestirea conven\u021bional\u0103, \u00een timp ce altele imerseaz\u0103 privitorul \u00een spa\u021biile liminare dintre natur\u0103 \u0219i artificiu, dintre credin\u021b\u0103 \u0219i scepticism.\u00a0<\/em>
Aici se g\u0103se\u0219te o explorare profund\u0103 a ceea ce \u00eenseamn\u0103 s\u0103 fii om \u00eentr-o epoc\u0103 \u00een care grani\u021bele se estompeaz\u0103, \u00eendemn\u00e2ndu-ne s\u0103 ne reconsider\u0103m locul \u00een acest peisaj digital \u00een continu\u0103 evolu\u021bie \u2013 un refugiu al transform\u0103rii \u00een care familiarul devine extraordinar.<\/em><\/p>\n\n\n\n

m’lk (South Africa), The Water Street Jellyfish<\/strong>, 08:27, 2024<\/p>\n\n\n\n

Miguel Angel Escobar Ramos (Colombia), Jungle Arrangement: Intestinal Bird<\/strong>, 09:40, 2024<\/p>\n\n\n\n

Sandra Crisp (United Kingdom), strange attractors [\u20261,000 years]<\/strong>, 05:26, 2023<\/p>\n\n\n\n

Jo Ngo (Vietnam), Salvation Horizon<\/strong>, 05:07, 2024<\/p>\n\n\n\n

S4RA (Portugal), bot3quim<\/strong>, 04:45, 2023<\/p>\n\n\n\n

Taietzel Ticalos (Romania), interference<\/strong>, 05:36, 2023<\/p>\n\n\n\n

Nicoleta Mures (Romania), Soul Transfer Complete<\/strong>, 02:23, 2022<\/p>\n\n\n\n

Keens Vereeniging (Spain), More (No) Mor<\/strong>e, 03:29, 2024<\/p>\n\n\n\n

Pablo Nieto Mercado (M\u00e9xico), Atl<\/strong>, 10:12, 2022<\/p>\n\n\n\n

\u00darsula San Crist\u00f3bal (Spain), Memento Mori, Memento Vivere<\/strong>, 04:10, 2024<\/p>\n\n\n\n

Ana Esteve Reig (Spain), Lucky Images<\/strong>, 08:55, 2024<\/p>\n\n\n\n

Ioana Bilea (Romania), A Panoply of Objects<\/strong>, 02:38, 2024<\/p>\n\n\n\n

Lloren\u00e7 Garcia Bas (Spain), Hypnotic Mechanisms<\/strong>, 08:06, 2024<\/p>\n\n\n\n

Luis Carlos Rodriguez (Spain), J.L. Berthelot (France), TEXtrucTURAS<\/strong>, 08:50, 2024


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SALA 4 : <\/strong>Fractured Realities<\/strong><\/p>\n\n\n\n

T\u0103r\u00e2muri futuriste prosper\u0103, dezv\u0103luind viitoruri \u021besute cu progrese ecologice \u0219i promisiunea armoniei tehnologice. Pe m\u0103sur\u0103 ce r\u0103m\u0103\u0219i\u021bele vechii lumi se risipesc treptat, ele fac loc unor realit\u0103\u021bi alternative care ne invit\u0103 spre noi moduri de existen\u021b\u0103. Pe m\u0103sur\u0103 ce con\u0219tiin\u021ba uman\u0103 supravie\u021buie\u0219te \u0219i evolueaz\u0103 ca avataruri, fuziunea dintre digital \u0219i fizic creeaz\u0103 o tapiserie de fic\u021biune speculativ\u0103 care lumineaz\u0103 calea de viitor.\u00a0<\/em>
Aceste lucr\u0103ri se confrunt\u0103 cu comodificarea naturii, pun\u00e2nd sub semnul \u00eentreb\u0103rii rela\u021bia noastr\u0103 cu mediul \u0219i propun modele inovatoare de interac\u021biune cu lumea natural\u0103 pe cale de dispari\u021bie. \u00cen aceste explor\u0103ri, limita dintre structurile create de om \u0219i ecosistemele naturale dispare, cre\u00e2nd spa\u021bii \u00een care tehnologia \u0219i natura coexist\u0103 armonios.\u00a0\u00a0<\/em>
Ne afl\u0103m \u00een pragul unei transform\u0103ri, iar aceast\u0103 selec\u021bie ne propune s\u0103 vis\u0103m la o lume \u00een care integritatea ecologic\u0103 nu este doar p\u0103strat\u0103, ci \u0219i celebrat\u0103, \u00een care digitalul \u0219i organicul converg \u00eentr-o viziune singular\u0103 a unit\u0103\u021bii.<\/em><\/p>\n\n\n\n

Sandrine Deumier (France), Electrical-darkness<\/strong>, 04:05, 2024<\/p>\n\n\n\n

Gohar Martirosyan (France \/ Armenia), The Mount A<\/strong>, 08:35, 2024<\/p>\n\n\n\n

Cezar Mocan (Romania), Welcome to Arcadia Inc<\/strong>., 05:17, 2024<\/p>\n\n\n\n

Hantao Li, Shuting Cui (China), NATURA 2040<\/strong>, 11:05, 2024<\/p>\n\n\n\n

John Butler (United Kingdom), The Fourth Planet<\/strong>, 09:30, 2024<\/p>\n\n\n\n

Rebeca Pascenco (Romania), Infinity Skies – The First Space Hotel<\/strong>, 03:21, 2024<\/p>\n\n\n\n

Tansy Xiao (United States), LUCA (Last Universal Common Ancestor)<\/strong>, 02:43, 2024<\/p>\n\n\n\n

Milan Antic (Serbia), The Dream<\/strong>, 05:00, 2023<\/p>\n\n\n\n


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LISTA LUCR\u0102RILOR VIDEO INCLUSE \u00ceN PROGRAMUL SIMULTAN FESTIVAL 2024Proiec\u021biile au loc in 4 \u00eenc\u0103peri (3 \u00een incinta Muzeului Corrneliu Miklosi \u0219i o \u00eencapere la fostele ateliere STPT).Texte de sal\u0103 Marina Oprea Program de vizionare:Joi 3 Oct – Vineri 4 Oct \/ interval orar 18 – 20S\u00e2mb\u0103t\u0103 5 Oct – Duminic\u0103 6 Oct \/ interval orar […]<\/p>\n","protected":false},"author":2,"featured_media":1110,"parent":0,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":{"_acf_changed":true,"footnotes":""},"class_list":["post-387","page","type-page","status-publish","has-post-thumbnail","hentry"],"acf":[],"_links":{"self":[{"href":"https:\/\/simultan.org\/2024\/wp-json\/wp\/v2\/pages\/387","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/simultan.org\/2024\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/simultan.org\/2024\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/simultan.org\/2024\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/simultan.org\/2024\/wp-json\/wp\/v2\/comments?post=387"}],"version-history":[{"count":1,"href":"https:\/\/simultan.org\/2024\/wp-json\/wp\/v2\/pages\/387\/revisions"}],"predecessor-version":[{"id":1457,"href":"https:\/\/simultan.org\/2024\/wp-json\/wp\/v2\/pages\/387\/revisions\/1457"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/simultan.org\/2024\/wp-json\/wp\/v2\/media\/1110"}],"wp:attachment":[{"href":"https:\/\/simultan.org\/2024\/wp-json\/wp\/v2\/media?parent=387"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}