{"id":1147,"date":"2024-09-27T13:01:52","date_gmt":"2024-09-27T13:01:52","guid":{"rendered":"https:\/\/simultan.org\/2024\/?p=1147"},"modified":"2024-10-04T07:48:48","modified_gmt":"2024-10-04T07:48:48","slug":"pheobe-law","status":"publish","type":"post","link":"https:\/\/simultan.org\/2024\/pheobe-law\/","title":{"rendered":"PHEOBE LAW"},"content":{"rendered":"\n<p><strong>\u2014&nbsp;Artist talk<\/strong><br>S\u00e2mb\u0103t\u0103, 5 Oct. 17:00 \u2013 Muzeul Corneliu Miklo\u0219i<\/p>\n\n\n\n<hr class=\"wp-block-separator has-alpha-channel-opacity\"\/>\n\n\n\n<figure class=\"wp-block-image size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"1024\" height=\"768\" src=\"https:\/\/simultan.org\/2024\/wp-content\/uploads\/2024\/09\/PTDC0015-3-1024x768.jpg\" alt=\"\" class=\"wp-image-1275\" srcset=\"https:\/\/simultan.org\/2024\/wp-content\/uploads\/2024\/09\/PTDC0015-3-1024x768.jpg 1024w, https:\/\/simultan.org\/2024\/wp-content\/uploads\/2024\/09\/PTDC0015-3-300x225.jpg 300w, https:\/\/simultan.org\/2024\/wp-content\/uploads\/2024\/09\/PTDC0015-3-768x576.jpg 768w, https:\/\/simultan.org\/2024\/wp-content\/uploads\/2024\/09\/PTDC0015-3-1536x1152.jpg 1536w, https:\/\/simultan.org\/2024\/wp-content\/uploads\/2024\/09\/PTDC0015-3.jpg 2048w\" sizes=\"auto, (max-width: 1024px) 100vw, 1024px\" \/><\/figure>\n\n\n\n<p><br><strong><a href=\"https:\/\/pheoberileylaw.yolasite.com\/\" target=\"_blank\" rel=\"noreferrer noopener\">Pheobe riley Law<\/a><\/strong> (1997) este artist\u0103 de instala\u021bii cu accent pe sunet, performance, fotografie \u0219i activare sculptural\u0103.&nbsp; Folosind o abordare simbiotic\u0103, ea construie\u0219te dialoguri \u00eentre diferite corpuri, frontiere \u0219i dispozitive, activ\u00e2nd, flexibil noi rela\u021bii.<\/p>\n\n\n\n<p>Interesele predominante includ cartografierea sonic\u0103, explorarea vie\u021bii actorilor non-umani \/ obiectelor inanimate \u0219i g\u00e2ndirea asupra aspectelor activit\u0103\u021bii umane prin prisma diviziunii \u0219i a grani\u021belor. Uneori, ea inverseaz\u0103 \u00een mod ludic rolurile oamenilor \u0219i ale non-umanilor, dezv\u0103luind caracterul de obiect al esen\u021bei umane \u0219i caracterul animat al fiin\u021bei &#8222;inanimate&#8221;.<br><\/p>\n\n\n\n<hr class=\"wp-block-separator has-alpha-channel-opacity\"\/>\n\n\n\n<p>Parte a proiectului SONIC FUTURE RESIDENCIES, ini\u021biat \u0219i coordonat de <a href=\"https:\/\/semisilent.ro\/\" target=\"_blank\" rel=\"noreferrer noopener\">SEMI SILENT<\/a><\/p>\n","protected":false},"excerpt":{"rendered":"<p>\u2014&nbsp;Artist talkS\u00e2mb\u0103t\u0103, 5 Oct. 17:00 \u2013 Muzeul Corneliu Miklo\u0219i Pheobe riley Law (1997) este artist\u0103 de instala\u021bii cu accent pe sunet, performance, fotografie \u0219i activare sculptural\u0103.&nbsp; Folosind o abordare simbiotic\u0103, ea construie\u0219te dialoguri \u00eentre diferite corpuri, frontiere \u0219i dispozitive, activ\u00e2nd, flexibil noi rela\u021bii. Interesele predominante includ cartografierea sonic\u0103, explorarea vie\u021bii actorilor non-umani \/ obiectelor inanimate [&hellip;]<\/p>\n","protected":false},"author":2,"featured_media":1275,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_acf_changed":false,"footnotes":""},"categories":[18],"tags":[],"class_list":["post-1147","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-talks"],"acf":[],"_links":{"self":[{"href":"https:\/\/simultan.org\/2024\/wp-json\/wp\/v2\/posts\/1147","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/simultan.org\/2024\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/simultan.org\/2024\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/simultan.org\/2024\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/simultan.org\/2024\/wp-json\/wp\/v2\/comments?post=1147"}],"version-history":[{"count":8,"href":"https:\/\/simultan.org\/2024\/wp-json\/wp\/v2\/posts\/1147\/revisions"}],"predecessor-version":[{"id":1458,"href":"https:\/\/simultan.org\/2024\/wp-json\/wp\/v2\/posts\/1147\/revisions\/1458"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/simultan.org\/2024\/wp-json\/wp\/v2\/media\/1275"}],"wp:attachment":[{"href":"https:\/\/simultan.org\/2024\/wp-json\/wp\/v2\/media?parent=1147"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/simultan.org\/2024\/wp-json\/wp\/v2\/categories?post=1147"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/simultan.org\/2024\/wp-json\/wp\/v2\/tags?post=1147"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}