{"id":1177,"date":"2024-09-27T14:35:33","date_gmt":"2024-09-27T14:35:33","guid":{"rendered":"https:\/\/simultan.org\/2024\/?p=1177"},"modified":"2024-09-29T15:08:31","modified_gmt":"2024-09-29T15:08:31","slug":"echochamber","status":"publish","type":"post","link":"https:\/\/simultan.org\/2024\/echochamber\/","title":{"rendered":"ECHOCHAMBER"},"content":{"rendered":"\n<p>\u2014&nbsp;instala\u021bie sonor\u0103, 2024<br><strong>HANNO LEICHTMANN<\/strong><\/p>\n\n\n\n<p>Program vizitare \u27ff ateliere<br>3\/4 Oct.. 6 pm \u2013 8 pm <br>5\/6 Oct.. 4 pm \u2013 8 pm<\/p>\n\n\n\n<hr class=\"wp-block-separator has-alpha-channel-opacity\"\/>\n\n\n\n<figure class=\"wp-block-image size-full\"><img loading=\"lazy\" decoding=\"async\" width=\"1015\" height=\"700\" src=\"https:\/\/simultan.org\/2024\/wp-content\/uploads\/2024\/09\/echochamber.jpeg\" alt=\"\" class=\"wp-image-1250\" srcset=\"https:\/\/simultan.org\/2024\/wp-content\/uploads\/2024\/09\/echochamber.jpeg 1015w, https:\/\/simultan.org\/2024\/wp-content\/uploads\/2024\/09\/echochamber-300x207.jpeg 300w, https:\/\/simultan.org\/2024\/wp-content\/uploads\/2024\/09\/echochamber-768x530.jpeg 768w\" sizes=\"auto, (max-width: 1015px) 100vw, 1015px\" \/><\/figure>\n\n\n\n<p><br>\u00cen ultimele decenii, au fost create nenum\u0103rate efecte audio. De la primele dispozitive de reverbera\u021bie \u0219i ecou la diverse pedale de chitar\u0103 \u0219i multi-efecte de studio scumpe, majoritatea au un lucru \u00een comun: accentul pus pe reverbera\u021bie \u0219i \u00eent\u00e2rziere, adic\u0103 pe imitarea spa\u021biului.<\/p>\n\n\n\n<p>Echochamber este o instala\u021bie sonor\u0103 tetrafonic\u0103 care exploreaz\u0103 posibilit\u0103\u021bile sonore ale unit\u0103\u021bilor de efecte multiple prin lucrul cu sunetul efectelor \u00een sine.<\/p>\n\n\n\n<p>Prin urmare, Hanno Leichtmann a folosit o selec\u021bie personal\u0103 de efecte spa\u021biale, inclusiv ecouri de band\u0103, reverbera\u021bii de prim\u0103var\u0103, \u00eent\u00e2rzieri analogice \u0219i primele ecouri\/reverbera\u021bii digitale, pentru a crea un peisaj sonor unic \u0219i cu mai multe straturi, aranj\u00e2ndu-le \u00een diferite lan\u021buri de efecte &#8211; adesea aventuroase &#8211; declan\u0219ate \u00een principal de sunete electronice de percu\u021bie care acoper\u0103 toate gamele de frecven\u021be.<\/p>\n\n\n\n<p>\u00cen general, unit\u0103\u021bile de efecte de aici nu sunt folosite pentru a \u00eembun\u0103t\u0103\u021bi sunetele, ci efectele \u0219i sunetul lor unic devin piesa central\u0103 \u0219i instrumentele principale ale proiectului.<\/p>\n\n\n\n<p><br><strong><a href=\"https:\/\/hannoleichtmann.com\/\" target=\"_blank\" rel=\"noreferrer noopener\">Hanno Leichtmann<\/a><\/strong>&nbsp;este un artist sonor \u0219i curator din Berlin, cunoscut pentru contribu\u021biile sale influente la scena muzicii electronice \u0219i pentru curatoriile sale de festivaluri.<br><\/p>\n\n\n\n<hr class=\"wp-block-separator has-alpha-channel-opacity\"\/>\n","protected":false},"excerpt":{"rendered":"<p>\u2014&nbsp;instala\u021bie sonor\u0103, 2024HANNO LEICHTMANN Program vizitare \u27ff ateliere3\/4 Oct.. 6 pm \u2013 8 pm 5\/6 Oct.. 4 pm \u2013 8 pm \u00cen ultimele decenii, au fost create nenum\u0103rate efecte audio. De la primele dispozitive de reverbera\u021bie \u0219i ecou la diverse pedale de chitar\u0103 \u0219i multi-efecte de studio scumpe, majoritatea au un lucru \u00een comun: accentul [&hellip;]<\/p>\n","protected":false},"author":2,"featured_media":1250,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_acf_changed":false,"footnotes":""},"categories":[16],"tags":[],"class_list":["post-1177","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-instalatii"],"acf":[],"_links":{"self":[{"href":"https:\/\/simultan.org\/2024\/wp-json\/wp\/v2\/posts\/1177","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/simultan.org\/2024\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/simultan.org\/2024\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/simultan.org\/2024\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/simultan.org\/2024\/wp-json\/wp\/v2\/comments?post=1177"}],"version-history":[{"count":5,"href":"https:\/\/simultan.org\/2024\/wp-json\/wp\/v2\/posts\/1177\/revisions"}],"predecessor-version":[{"id":1301,"href":"https:\/\/simultan.org\/2024\/wp-json\/wp\/v2\/posts\/1177\/revisions\/1301"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/simultan.org\/2024\/wp-json\/wp\/v2\/media\/1250"}],"wp:attachment":[{"href":"https:\/\/simultan.org\/2024\/wp-json\/wp\/v2\/media?parent=1177"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/simultan.org\/2024\/wp-json\/wp\/v2\/categories?post=1177"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/simultan.org\/2024\/wp-json\/wp\/v2\/tags?post=1177"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}