{"id":1333,"date":"2024-09-30T14:49:04","date_gmt":"2024-09-30T14:49:04","guid":{"rendered":"https:\/\/simultan.org\/2024\/?p=1333"},"modified":"2024-09-30T14:54:54","modified_gmt":"2024-09-30T14:54:54","slug":"rebecca-salvadori","status":"publish","type":"post","link":"https:\/\/simultan.org\/2024\/rebecca-salvadori\/","title":{"rendered":"REBECCA SALVADORI"},"content":{"rendered":"\n<p><strong><em>MESSENGERS<\/em><\/strong><br>&#8211; Proiec\u021bie \u0219i conversa\u021bie cu artista<br>Duminic\u0103, 6 Oct. 18:00 \u2013 Muzeul Corneliu Miklo\u0219i<\/p>\n\n\n\n<hr class=\"wp-block-separator has-alpha-channel-opacity\"\/>\n\n\n\n<figure class=\"wp-block-image size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"1024\" height=\"768\" src=\"https:\/\/simultan.org\/2024\/wp-content\/uploads\/2024\/09\/Rebecca-Salvadori-by-Henerico-Rossi-1024x768.jpg\" alt=\"\" class=\"wp-image-1334\" srcset=\"https:\/\/simultan.org\/2024\/wp-content\/uploads\/2024\/09\/Rebecca-Salvadori-by-Henerico-Rossi-1024x768.jpg 1024w, https:\/\/simultan.org\/2024\/wp-content\/uploads\/2024\/09\/Rebecca-Salvadori-by-Henerico-Rossi-300x225.jpg 300w, https:\/\/simultan.org\/2024\/wp-content\/uploads\/2024\/09\/Rebecca-Salvadori-by-Henerico-Rossi-768x576.jpg 768w, https:\/\/simultan.org\/2024\/wp-content\/uploads\/2024\/09\/Rebecca-Salvadori-by-Henerico-Rossi.jpg 1200w\" sizes=\"auto, (max-width: 1024px) 100vw, 1024px\" \/><figcaption class=\"wp-element-caption\">foto Henerico Rossi<\/figcaption><\/figure>\n\n\n\n<p><\/p>\n\n\n\n<p>Din 2019, artista video \u0219i regizoarea <a href=\"https:\/\/rebeccasalvadori.com\/\" target=\"_blank\" rel=\"noreferrer noopener\">Rebecca Salvadori<\/a> experimenteaz\u0103 convergen\u021ba dintre performance, imagine \u00een mi\u0219care \u0219i filmare live, pornind de la cercetarea sa cinematografic\u0103 ad\u00e2nc \u00eenr\u0103d\u0103cinat\u0103 \u00een ecosistemele muzicii experimentale din Londra. <em>Messengers<\/em> apare ca un film multifa\u021betat, specific locului, care se desf\u0103\u0219oar\u0103 pe mai multe dimensiuni: o experien\u021b\u0103 cinematografic\u0103 hibrid\u0103 care este \u00een acela\u0219i timp un autoportret, un portret al unui grup de arti\u0219ti, al diferitelor scene muzicale, al unui ora\u0219 \u00eentr-un anumit moment.<\/p>\n\n\n\n<p>Ca parte a <em>cover me softly<\/em>, edi\u021bia 2024 a Bienalei de Arhitectur\u0103 Beta, \u00een colaborare cu Simultan Festival, Salvadori va prezenta \u0219i\u00a0 proiecta <em>Messengers<\/em>, cu film\u0103ri de Kenichi Iwasa, Maxwell Sterling, GAISTER (Olivia Salvadori, Coby Sey \u0219i Akihide Monna), Charlie Hope, Elaine Tam, Nhu Xuan Hua \u0219i Henerico Rossi.<br>Proiec\u021bia va fi urmat\u0103 de o conversa\u021bie \u00eentre artist\u0103, echipa curatorial\u0103 a <em>cover me softly<\/em>, \u0219i public.<br><br><em>Messengers<\/em> face parte dintr-o mare arhiv\u0103 video de rela\u021bii \u0219i documentare de muzic\u0103 experimental\u0103 pe care Salvadori a construit-o \u00een ultimii 14 ani (2010-24). <em>Messengers<\/em> a fost comandat de PAF Olomouc, Festivalul de Film de Anima\u021bie \u0219i Art\u0103 Contemporan\u0103 \u00een 2022 \u0219i s-a dezvoltat datorit\u0103 sprijinului Mars\u00e8ll Paradise, Milano (2023), Norient Festival, Dampfzentrale Bern, Elve\u021bia (2024), \u0219i \u00een parteneriat cu Tutto Questo Sentire.<\/p>\n\n\n\n<p><\/p>\n\n\n\n<hr class=\"wp-block-separator has-alpha-channel-opacity\"\/>\n","protected":false},"excerpt":{"rendered":"<p>MESSENGERS&#8211; Proiec\u021bie \u0219i conversa\u021bie cu artistaDuminic\u0103, 6 Oct. 18:00 \u2013 Muzeul Corneliu Miklo\u0219i Din 2019, artista video \u0219i regizoarea Rebecca Salvadori experimenteaz\u0103 convergen\u021ba dintre performance, imagine \u00een mi\u0219care \u0219i filmare live, pornind de la cercetarea sa cinematografic\u0103 ad\u00e2nc \u00eenr\u0103d\u0103cinat\u0103 \u00een ecosistemele muzicii experimentale din Londra. Messengers apare ca un film multifa\u021betat, specific locului, care se [&hellip;]<\/p>\n","protected":false},"author":2,"featured_media":1334,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_acf_changed":false,"footnotes":""},"categories":[18],"tags":[],"class_list":["post-1333","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-talks"],"acf":[],"_links":{"self":[{"href":"https:\/\/simultan.org\/2024\/wp-json\/wp\/v2\/posts\/1333","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/simultan.org\/2024\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/simultan.org\/2024\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/simultan.org\/2024\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/simultan.org\/2024\/wp-json\/wp\/v2\/comments?post=1333"}],"version-history":[{"count":3,"href":"https:\/\/simultan.org\/2024\/wp-json\/wp\/v2\/posts\/1333\/revisions"}],"predecessor-version":[{"id":1340,"href":"https:\/\/simultan.org\/2024\/wp-json\/wp\/v2\/posts\/1333\/revisions\/1340"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/simultan.org\/2024\/wp-json\/wp\/v2\/media\/1334"}],"wp:attachment":[{"href":"https:\/\/simultan.org\/2024\/wp-json\/wp\/v2\/media?parent=1333"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/simultan.org\/2024\/wp-json\/wp\/v2\/categories?post=1333"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/simultan.org\/2024\/wp-json\/wp\/v2\/tags?post=1333"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}