{"id":936,"date":"2024-09-23T20:17:42","date_gmt":"2024-09-23T20:17:42","guid":{"rendered":"https:\/\/simultan.org\/2024\/?p=936"},"modified":"2024-09-25T14:04:35","modified_gmt":"2024-09-25T14:04:35","slug":"franck-vigroux-antoine-schmitt","status":"publish","type":"post","link":"https:\/\/simultan.org\/2024\/franck-vigroux-antoine-schmitt\/","title":{"rendered":"FRANCK VIGROUX &amp; ANTOINE SCHMITT"},"content":{"rendered":"\n<p><strong><em>ATOTAL<\/em><\/strong><br>\u2014 AV performance<br>Joi, 3 Oct. 22:00 &#8211; Muzeul Corneliu Miklo\u0219i<\/p>\n\n\n\n<hr class=\"wp-block-separator has-alpha-channel-opacity\"\/>\n\n\n\n<figure class=\"wp-block-image size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"1024\" height=\"682\" src=\"https:\/\/simultan.org\/2024\/wp-content\/uploads\/2023\/09\/FRANCK_VIGROUX_ATOTAL_1er_export_photo_quentin_chevrier_mai2021-5-1-1024x682.jpg\" alt=\"\" class=\"wp-image-908\" srcset=\"https:\/\/simultan.org\/2024\/wp-content\/uploads\/2023\/09\/FRANCK_VIGROUX_ATOTAL_1er_export_photo_quentin_chevrier_mai2021-5-1-1024x682.jpg 1024w, https:\/\/simultan.org\/2024\/wp-content\/uploads\/2023\/09\/FRANCK_VIGROUX_ATOTAL_1er_export_photo_quentin_chevrier_mai2021-5-1-300x200.jpg 300w, https:\/\/simultan.org\/2024\/wp-content\/uploads\/2023\/09\/FRANCK_VIGROUX_ATOTAL_1er_export_photo_quentin_chevrier_mai2021-5-1-768x512.jpg 768w, https:\/\/simultan.org\/2024\/wp-content\/uploads\/2023\/09\/FRANCK_VIGROUX_ATOTAL_1er_export_photo_quentin_chevrier_mai2021-5-1.jpg 1400w\" sizes=\"auto, (max-width: 1024px) 100vw, 1024px\" \/><figcaption class=\"wp-element-caption\">photo <\/figcaption><\/figure>\n\n\n\n<p>Opera de art\u0103 total\u0103, atunci c\u00e2nd este \u00eempins\u0103 la paroxismul coinciden\u021bei absolute a percep\u021biilor unui spectator captiv, este similar\u0103 tehnicilor de manipulare mental\u0103 ale totalitarismului, proced\u00e2nd prin abolirea spiritului critic, impactic semantic repetitiv sau mesaje subliminale.<br><strong><em>ATOTAL<\/em><\/strong> este un spectacol audio-vizual care \u00ee\u0219i propune s\u0103 reconstruiasc\u0103 pentru a deconstrui mai bine procesele de impunere a voin\u021bei prin repeti\u021bie \u0219i sincronism absolut, pentru a propune o deschidere asupra unei decoinciden\u021be poate salvatoare.<br><\/p>\n\n\n\n<p><strong><a href=\"https:\/\/www.franckvigroux.com\/\" target=\"_blank\" rel=\"noreferrer noopener\">Franck Vigroux<\/a><\/strong> este un artist multifa\u021betat ale c\u0103rui lucr\u0103ri variaz\u0103 de la muzica electronic\u0103 experimental\u0103 la compozi\u021bie modern\u0103 \u0219i muzic\u0103 de teatru. Muzica lui Franck Vigroux este alc\u0103tuit\u0103 din tensiuni tectonice, beat-uri, texturi electronice \u0219i o abordare foarte personal\u0103 a explor\u0103rii sonice. El este la fel de prolific ca artist solo sau colaborator, a lucrat cu muzicieni precum Elliott Sharp, Mika Vainio, Reinhold Friedl, Ars Nova&#8230;<br>Unicitatea lui Vigroux provine din abordarea sa artistic\u0103 care integreaz\u0103 noile media \u0219i artele spectacolului. El concepe spectacole transdisciplinare \u0219i concerte audiovizuale, colabor\u00e2nd cu arti\u0219ti vizuali precum Antoine Schmitt \u0219i Kurt d&#8217;Haeseleer.<br><br><a href=\"https:\/\/www.antoineschmitt.com\/\" target=\"_blank\" rel=\"noreferrer noopener\"><strong>Antoine Schmitt<\/strong><\/a> creeaz\u0103 lucr\u0103ri de art\u0103 sub form\u0103 de obiecte, instala\u021bii \u0219i situa\u021bii pentru a aborda procesele de mi\u0219care \u00een toate modalit\u0103\u021bile lor \u0219i pentru a pune \u00een discu\u021bie problematica conceptual\u0103 intrinsec\u0103 a acestora, de natur\u0103 plastic\u0103, filosofic\u0103 sau social\u0103. Mo\u0219tenitor al artei cinetice \u0219i al artei cibernetice, alimentat de science-fiction metafizic, el interogheaz\u0103 f\u0103r\u0103 \u00eencetare interac\u021biunile dinamice dintre natura uman\u0103 \u0219i natura realit\u0103\u021bii.<br><br><\/p>\n\n\n\n<hr class=\"wp-block-separator has-alpha-channel-opacity\"\/>\n\n\n\n<figure class=\"wp-block-embed is-type-video is-provider-vimeo wp-block-embed-vimeo wp-embed-aspect-16-9 wp-has-aspect-ratio\"><div class=\"wp-block-embed__wrapper\">\n<iframe loading=\"lazy\" title=\"Atotal\" src=\"https:\/\/player.vimeo.com\/video\/548427983?dnt=1&amp;app_id=122963\" width=\"500\" height=\"281\" frameborder=\"0\" allow=\"autoplay; fullscreen; picture-in-picture; clipboard-write\"><\/iframe>\n<\/div><\/figure>\n","protected":false},"excerpt":{"rendered":"<p>ATOTAL\u2014 AV performanceJoi, 3 Oct. 22:00 &#8211; Muzeul Corneliu Miklo\u0219i Opera de art\u0103 total\u0103, atunci c\u00e2nd este \u00eempins\u0103 la paroxismul coinciden\u021bei absolute a percep\u021biilor unui spectator captiv, este similar\u0103 tehnicilor de manipulare mental\u0103 ale totalitarismului, proced\u00e2nd prin abolirea spiritului critic, impactic semantic repetitiv sau mesaje subliminale.ATOTAL este un spectacol audio-vizual care \u00ee\u0219i propune s\u0103 reconstruiasc\u0103 [&hellip;]<\/p>\n","protected":false},"author":2,"featured_media":908,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_acf_changed":false,"footnotes":""},"categories":[15],"tags":[],"class_list":["post-936","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-live-acts"],"acf":[],"_links":{"self":[{"href":"https:\/\/simultan.org\/2024\/wp-json\/wp\/v2\/posts\/936","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/simultan.org\/2024\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/simultan.org\/2024\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/simultan.org\/2024\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/simultan.org\/2024\/wp-json\/wp\/v2\/comments?post=936"}],"version-history":[{"count":7,"href":"https:\/\/simultan.org\/2024\/wp-json\/wp\/v2\/posts\/936\/revisions"}],"predecessor-version":[{"id":1372,"href":"https:\/\/simultan.org\/2024\/wp-json\/wp\/v2\/posts\/936\/revisions\/1372"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/simultan.org\/2024\/wp-json\/wp\/v2\/media\/908"}],"wp:attachment":[{"href":"https:\/\/simultan.org\/2024\/wp-json\/wp\/v2\/media?parent=936"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/simultan.org\/2024\/wp-json\/wp\/v2\/categories?post=936"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/simultan.org\/2024\/wp-json\/wp\/v2\/tags?post=936"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}