CALL FOR VIDEO AND MOVING IMAGE
Deadline extended: 25 August, 2024
The 19th edition of the SIMULTAN festival will take place between October 3-6 in Timișoara, Romania, and will run under the theme —Desire For The Useless (read below).
We are looking for submissions of innovative videos and moving images which relates to the festival theme.
REQUIREMENTS
The call is open for both, emerging and established artists or groups and collectives.
A maximum of 2 works by one author can be submitted. produced in the last two years (2022-2024).
The duration of the works should not exceed 10 min (each).
There is no submission fee.
APPLICATION
Upload a preview version of your video to Youtube (can be unlisted) or Vimeo (optional with password) and include the link in the application form.
The video must contain the title of the work, the author’s name and year of production.
JURY
All works will be reviewed and selected by the festival’s curatorial team. Those accepted will become part of the festival screening program. The jury’s decision is final.
Selected works will be published after the event in the festival archive (to be agreed in the application form).
AWARDS
We do not consider this call a competition, but we will reward 3 video works with a 500 Euro artist fee, taking into consideration their idea and technical execution.
APPLICATION FORM HERE
/ questions to: simultanfestival@gmail.com
TERMS AND CONDITIONS
• Retention of Rights: The author(s) retain the copyright of the video or work even after submission. The festival does not claim ownership of the submitted content.
• Rights Granted: By submitting your work, you grant the festival certain rights to screen or display the work as part of the festival and potentially include it in their archive.
• Screening: You might grant the festival a non-exclusive right to screen or showcase your work during the festival and in promotional materials related to the event.
• Archive: Selected works are archived, and you might need to agree to this as part of the submission process. This means your work could be available in the festival’s digital or physical archives.
• No Commercial Claim: The festival do not have rights to commercially exploit your work without additional agreement. If commercialization is a concern, the therms will be additionally agreed with the author(s).
Desire For The Useless
In a world where simulations often replace reality, the line between useful and useless becomes blurred. Uselessness reveals the constructed nature of perceptions, prompting us to reconsider what we consider real or valuable.
In exploring the term useless we foreground their expectations of technology and how it influences social relations and societal development. One common myth is that technology will eventually come to exist as pure utility, a premise that has given rise to two opposing visions of the future: one in which technology is seen as a liberating force, promising a future of material abundance, and the other, which outlines a vision of bureaucratic nightmare, in which technology becomes an out-of-control mechanism threatening to dehumanize and annihilate the essence of humanity.
But between these extremes lies a rarely mentioned possibility: the futility of technology. Georges Bataille argued that technology may be neither good nor bad, but simply useless, functionless element. In this context, pure technology would never be used; it would exist independently of human needs and desires, a monument to futility.
Many devices around us are overloaded with features we will never use. These unnecessary features exist only to satisfy the consumer’s desire for more, not to fulfill a real need. This surplus economy exploits the need for excess, turning products into status symbols and social power symbols.
In this world of unnecessary technology, consumers no longer buy products to use them, but to possess the excess they represent. In this way, technology becomes an integral part of the economics of desire rather than a tool of practice. In essence, products become icons of secular transcendence, accumulating value through their uselessness and controlling the lives of those who own them.
This tendency reflects a deep and perennial desire of humanity to subordinate itself to the useless, to offer sacrifices to a modern idol of useless technology. As society advances, technology continues to become less about functionality and more about symbolic meaning. Thus, technological progress does not necessarily lead us to a utopia or a dystopia, but to a realm of the useless, where the value of technology is measured not by its use, but by its ability to transcend any practical need.
The desire for the useless is not about pursuing uselessness. Rather, it’s about finding meaning in the seemingly impractical through creativity, critique, and insight. Think of desire as energy, not a void. When desire is free from the constraints of utility, it becomes a force that drives us towards new ideas and expressions, showing us that the useless has its own productivity.
SIMULTAN FESTIVAL 2024 is co-funded by The Administration of the National Cultural Fund / AFCN.